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Spender, Sir Stephen

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Spender, Sir Stephen, 1909–95, English poet and critic, b. London. His early poetry—like that of W. H. Auden Auden, W. H. (Wystan Hugh Auden) (ô`dən), 1907–73, Anglo-American poet, b. York, England, educated at Oxford.
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, C. Day Lewis Day Lewis, C. (Cecil Day Lewis), 1904–72, English author, b. Ireland. While he was still at Oxford, he became associated with a group of leftist poets led by W. H. Auden .
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, and Louis MacNeice MacNeice, Louis (məknēs`), 1907–63, Irish poet.
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, with whom he became associated at Oxford—was inspired by social protest. His autobiography, World within World (1951), is a re-creation of much of the political and social atmosphere of the 1930s. A member of the political left wing during this early period, he was one of those who wrote of their disillusionment with communism in the essay collection The God that Failed (1949). His passionate and lyrical verse, filled with images of the modern industrial world yet intensely personal, is collected in such volumes as Twenty Poems (1930), The Still Centre (1939), Poems of Dedication (1946), Collected Poems, 1928–1953 (1955), Selected Poems (1964), The Generous Days (1971), and Collected Poems 1928–1985 (1986). The Destructive Element (1935), The Creative Element (1953), The Making of a Poem (1955), and Love–Hate Relations (1974) contain literary and social criticism. His other works include short stories, the novel The Backward Son (1940), translations such as Schiller's Mary Stuart (1959), and sociological studies like The Year of the Young Rebels (1969). He was coeditor of the magazines Horizon with Cyril Connolly (1939–41) and Encounter (1953–66). Spender was knighted in 1983.

Bibliography

See his Journals, 1939–83 (1986, ed. by J. Goldsmith) and Letters to Christopher (1980, ed. by L. Bartlett); biography by J. Sutherland (2004); studies by A. K. Weatherhead (1975), S. N. Pandey (1982), and S. Sternlicht (1992).


Spender, Sir Stephen (Harold)

(born Feb. 28, 1909, London, Eng.—died July 16, 1995, London) English poet and critic. While an undergraduate at Oxford, Spender met the poets W.H. Auden and C. Day-Lewis. In the 1930s they became identified with politically conscious, leftist “new writing.” His poems, expressing a self-critical, compassionate personality, appear in volumes from Poems (1933) to Dolphins (1994). He was better known for his perceptive criticism, as in The Destructive Element (1935), The Making of a Poem (1955), and The Struggle of the Modern (1963), and for his association with the influential review Encounter (1953–67). He also wrote short stories, essays, and autobiography.


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