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Lee, Spike
(redirected from Spike Lee)

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.01 sec.
Lee, Spike (Shelton Jackson Lee), 1957–, American filmmaker, b. Atlanta, Ga. He gained recognition as a student at New York Univ. with his graduation film, Joe's Bed-Stuy Barbershop: We Cut Heads (1982). His films usually celebrate the richness of African-American culture and address such problems as racism, sexism, and narcotics addiction. She's Gotta Have It (1986), a low-budget film mainly about sexual relations and attitudes, established Lee as a commercially viable director. His Do the Right Thing (1989) presented the complexities and tensions behind interracial relations. Many of his later films have been controversial—Jungle Fever (1991), an exploration of interracial relations and attitudes; Malcolm X (1992), based on the life of the African-American leader; Clockers (1995), a violent portrait of life at the lowest reaches of the drug underworld; Girl 6 (1996), a high-spirited portrayal of a young woman in the phone sex business; and The Original Kings of Comedy (2000), a series of racially charged stand-up routines by four contemporary African-American comedians. Lee broke with his traditional style and subject matter to make Inside Man (2006), a polished heist movie, and he turned to documentary with made-for-TV When the Levees Broke (2006), a harrowing portrayal of Hurricane Katrina and its aftermath in New Orleans.

Lee, Spike

 orig. Shelton Jackson Lee

(born March 20, 1957, Atlanta, Ga., U.S.) U.S. film director. He grew up in Brooklyn, N.Y., and earned a master's degree in film at New York University. The comedy She's Gotta Have It (1986) brought him attention, but it was Do the Right Thing (1989), a portrait of racial tensions in Brooklyn, that brought him widespread acclaim. Many of his films focused on aspects of African American life, including School Daze (1988), Jungle Fever (1991), Crooklyn (1994), and He Got Game (1998). The epic Malcolm X (1992) and the documentary Four Little Girls (1997) showed Lee's versatility as a director.



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The Toronto Film Festival in September will be the host to the world première of the film "Miracle at St Anna", the World War II film directed by the afro-american director Spike Lee in the very same place that witnessed the massacre perpetrated by the nazis in 1944.
As is his wont, Spike Lee allows himself to be sidetracked by the various incidents of racial abrasion, and sacrifices pace as well as clarity.
In his final address to Spike Lee's opinions on him, we got typical 50 when he stated, "I don’t know if Spike Lee actually has a problem with 50 Cent, 50 Cent’s image or the things that are being projected on me, or if he just needs new press and publicity.
 
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