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stage design

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stage design

Aesthetic composition of a dramatic production as created by lighting, scenery, costumes, and sound. While elements such as painted screens and wheeled platforms were used in the Greek theatre of the 4th century BC, most innovations in stage design were developed in the Italian Renaissance theatre, where painted backdrops, perspective architectural settings, and numerous changes of scenery were common. Italian staging was introduced in England in 1605 by Inigo Jones for court masques. In the late 19th century staging was influenced by the new naturalism, which called for historically accurate sets. In the 20th century simplified stage design focused attention on the actor. Stage design has been greatly affected by advances in lighting, from the use of candles in the Renaissance to oil lamps in the 18th century and gas and electric lights in the 19th century. Modern stage lighting, which employs computerized control boards to achieve complex effects, can unify all the visual elements of a stage production. See also stage machinery.



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The dance, which has won several awards (see "Brazil, Brazil," May 2006), includes a vibrant stage design by visual artist Beatriz Milhazes.
Her architectural experiments certainly run the gamut: a ski jump on the Bergisel Mountain in Innsbruck; stage design for the Pet Shop Boys 1999 world tour; snow and ice "landscape formations" in Finland (realized in collaboration with Chinese artist Cai Guo-Qiang); a tilting glass showroom for Citroen on the Champs-Elysees; a proposal for New York City's 2012 Olympic Village.
The building was renovated by Los Angeles architect Frank Gehry, who also did the stage design for its first event, a performance piece called "Available Light.
 
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