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Adalbert Stifter
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Stifter, Adalbert 

Born Oct. 23, 1805, in Oberplan; died Jan. 28, 1868, in Linz. Austrian writer and painter of the late romantic period.

Stifter studied at the University of Vienna from 1826 to 1830. From 1849 to 1866 he was an inspector in the public schools of Upper Austria.

Stifter’s belief in the humanistic ideals of the German Enlightenment is reflected in his Indian Summer (1857), a psychological Bildungsroman; his political conservatism is seen in the historical novel Witiko (1865–67). In his collections of short stories and novellas, such as Studies (vols. 1–6, 1844–50) and Colored Stones (1853), he gives an idyllic depiction of the mores of an Austrian village. His idealist views on public education and the humanistic upbringing of the individual are presented in such pedagogic works as On the School and the Family (published 1952); he based these views on a faith in the power of reason to destroy social evils.

As a painter, Stifter produced for the most part romantic landscapes, such as View of the Meadows of the Western Hungarian Alps in Inclement Weather (A. Stifter Museum, Vienna). Stifter’s expressive, plein-air style of painting made him one of the forerunners of German and Austrian impressionism.

WORKS

Werke, vols. 1–4. Berlin-Weimar, 1964.
In Russian translation:
Staraiapechat’. Moscow, 1960.
Lesnaia tropa. Moscow, 1971.

REFERENCES

A. Stifter: Studien und Interpretationen. Heidelberg, 1968.
Eisenmeier, E. A. Stifter: Bibliographie. Linz, 1964–71.


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Kampfer, Frank (1994) "Herrscher, Stifter, Heiliger.
Scott had a legion of imitators, most prominently James Fenimore Cooper, but also--to a greater or less extent--Balzac, Hugo, Vigny, Dumas Pere, Pushkin, Manzoni, Mickiewicz, Arnim, Hauff, Alexis, Stifter, Immermann, Jovellanos, Szecheny, and Eotvos.
Adalbert Stifter (1805-1868) is hardly known in the English-speaking world, but in Germany his novels and stories are prized for their descriptions of the natural world, which are almost painterly in their vividness and detail, like the literary equivalent of Caspar David Friedrich's canvases.
 
 
 
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