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still-life painting |
Also found in: Wikipedia, Hutchinson | 0.07 sec. |
still-life paintingDepiction of inanimate objects for the sake of their qualities of form, colour, texture, composition, and sometimes allegorical or symbolical significance. Still lifes were painted in ancient Greece and Rome. In the Middle Ages they occur in the borders of illuminated manuscripts. The modern still life emerged as an independent genre in the Renaissance. Netherlandish still lifes often depicted skulls, candles, and hourglasses as allegories of mortality, or flowers and fruits to symbolize nature's cycle. Several factors contributed to the rise of still life in the 16th–17th century: an interest in realistic representation, the rise of a wealthy middle class that wanted artworks to decorate its homes, and increased demand for paintings of secular subjects other than portraits in the wake of the Reformation. Dutch and Flemish painters were the masters of still life in the 17th century. From the 18th century until the rise of nonobjective painting after World War II, France was the centre of still-life painting. |
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What U can see in her studio: A 17th-century still-life painting. Each instance of still life harbors the evolutionary traces or memory of the whole series of still-life paintings that have existed as its evolutionary forebears--and harbors, also, the seething life of potential images that may lead on from it into the future. These concerns, apart from the underlying threat of decay through the relentless passage of time, a common theme in still-life painting, would be many, even if they were only limited to food. |
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