Stone, Edward Durell, 1902–78, American architect, b. Fayetteville, Ark. Stone's first major work, designed in the starkly functional International style in collaboration with Philip L. Goodwin, was the Museum of Modern Art, New York City (1937–39). Stone, whose style became more ornate and embellished in the 1950s, won renown for his design of the U.S. embassy at New Delhi (1958). In this building he introduced traditional Muslim motifs, including lacy grille patterns. Stone subsequently applied grillwork to many of his buildings, including the U.S. pavilion for the Brussels World's Fair (1958) and the Huntington Hartford Museum (1962; now the New York Cultural Center), New York City. Among his later works are the Amarillo Fine Arts Museum (1969); the Univ. of Alabama law school (1970); the John F. Kennedy Center for the Performing Arts (1971), Washington D.C.; and the Community Hospital of Monterey Peninsula, Carmel, Calif.

Bibliography

See his autobiography (1962) and Recent and Future Architecture (1967).

Stone, Edward Durell

(born March 9, 1902, Fayetteville, Ark., U.S.—died Aug. 6, 1978, New York, N.Y.) U.S. architect. He earned architecture degrees and traveled in Europe before joining the New York City firm that designed Radio City Music Hall. In 1936 he organized his own architectural firm. A leading exponent of the International Style, he designed El Panamá Hotel in Panama City (1946), the U.S. embassy in New Delhi (1954), the U.S. pavilion at the Brussels World's Fair (1958), the Kennedy Center for the Performing Arts in Washington, D.C. (1964), and the Amoco Building in Chicago (1969). He also taught at New York University (1927–42) and Yale University (1946–52).

Stone, Edward Durell (1902–78) architect; born in Fayetteville, Ark. After studying at the University of Arkansas, Harvard, and the Massachusetts Institute of Technology, he began teaching at New York University (1927–42) before setting up his practice in New York City (1935–78). Later he also taught at Yale (1946–52). More eclectic than innovative, he moved from a modernist style to a more ornamented style, often using grillwork and deliberately echoing the local/cultural environment. His many public buildings include the U.S. Embassy in New Delhi, India, and the John F. Kennedy Center for the Performing Arts in Washington, D.C.