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symbolists

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symbolists, in literature, a school originating in France toward the end of the 19th cent. in reaction to the naturalism and realism of the period. Designed to convey impressions by suggestion rather than by direct statement, symbolism found its first expression in poetry but was later extended to the other arts. The early symbolists experimented with form, revolting against the rigidity of the Parnassians Parnassians , group of 19th-century French poets, so called from their journal the Parnasse contemporain. Issued from 1866 to 1876, it included poems of Leconte de Lisle, Banville, Sully-Prudhomme, Verlaine, Coppée, and J. M. de Heredia.
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 with a free verse free verse, term loosely used for rhymed or unrhymed verse made free of conventional and traditional limitations and restrictions in regard to metrical structure. Cadence, especially that of common speech, is often substituted for regular metrical pattern.
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 that has outlived the movement itself. The precursors of the school, all influenced by Baudelaire, included Verlaine, Mallarmé, and Rimbaud. They were accused of writing with a decadent morbidity, partly as the result of their utilization of imagination as a reality. The movement was continued in poetry by Laforgue, Moréas, and Régnier; in drama by Maeterlinck; in criticism by Remy de Gourmont; and in music by Debussy. Among the later symbolists were Claudel, Valéry, Jammes, and the critic Camille Mauclair. The influence of the French symbolists not only gave rise to similar schools in England, Germany, and other countries, but also may be traced in the development of the imagists imagists, group of English and American poets writing from 1909 to about 1917, who were united by their revolt against the exuberant imagery and diffuse sentimentality of 19th-century poetry.
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 and decadents decadents, in literature, name loosely applied to those 19th-century, fin-de-siècle European authors who sought inspiration, both in their lives and in their writings, in aestheticism and in all the more or less morbid and macabre expressions of human emotion.
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; it is likewise evident in the work of Arthur Symons, T. S. Eliot, Marcel Proust, James Joyce, Gertrude Stein, Eugene O'Neill, Hart Crane, Wallace Stevens, Dylan Thomas, William Faulkner, and E. E. Cummings.

Bibliography

See C. M. Bowra, The Heritage of Symbolism (1943); W. K. Cornell, The Symbolist Movement (1970); A. Balakian, The Symbolist Movement (1967, repr. 1977) and ed., The Symbolist Movement in the Literature of European Languages (1982).



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Nearly 200 full color illustrations take the reader on a wondrous tour of Angelico's beautiful expressions of faith, while the text spares no detail in chronicling Angelico's life, inspiration, and legacy to later masters including Raphael, the Nazarenes, and the Symbolists.
Zeppelin's LP cover for "Houses of the Holy" which depicts a photo-collage of blond children climbing the Giant's Causeway in Northern Ireland, finds antecedents in the Symbolists Hans Thoma, Leon Frederic, and Charles Maurin.
 
 
 
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