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Tavener, Sir John Kenneth

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Tavener, Sir John Kenneth (tăv`ənər, –nə), 1944–, English composer, b. London; studied Royal Academy of Music; widely considered Great Britain's most popular living classical composer. Since his early efforts in the 1960s his work has shown a consistent but evolving tonal or modal style and often a marked simplicity and spirituality. Tavener, who joined the Russian Orthodox Church in 1977, is known principally for his requiems, canticles, hymns, and liturgical cantatas, which he has called "icons with notes rather than colors." Largely slow-moving, intense, and accessible to a wide audience, his music has been influenced by various traditional styles including Indian ragas, Byzantine chants, Middle Eastern works, and Native American music. Tavener's compositions also have close ties to Eastern European minimalism minimalism, schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity.

Minimalism in the Visual Arts


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 and are part of a mystical strain that also marks the work of such composers as Arvo Pärt Pärt, Arvo, 1935–, Estonian composer, b. Paide; grad. Tallinn Conservatory (1963). He worked for Estonian radio (1958–67), left his homeland (1980, then part of the USSR), and settled in West Berlin (1982).
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, Henryk Górecki Górecki, Henryk Mikolaj (hĕn`rĭk mēkô`lī gôrĕt`skē), 1933–, Polish composer.
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, and Giya Kancheli.

Tavener first came to wide public attention with his composition The Whale (1968), which employs a collage of prerecorded tape, amplified percussion, and chorus. After a comparatively dry period in the 1970s, Tavener's work flourished during the 1980s and 90s, when he produced a broad range of compositions. Among his best-known works are Orthodox Vigil Service (1984), for chorus and handbells; The Protecting Veil, for cello, and Akathist of Thanksgiving, for soloists, chorus, strings, and timpini, (both: 1987); the operatic Mary of Egypt (1991); the choral Song for Athene (1993), played at the funeral of Princess Diana; and Total Eclipse (1999), a cantata scored for vocal soloists, boys' choir, baroque instruments, brass, Tibetan bowls, and timpani. The Veil of the Temple (2003) is a seven-hour musical vigil that draws on Christian traditions of the East and West and is performed by a large chorus, vocal soloists, organ, brass and percussion ensembles, Tibetan horn, temple bowls, and Indian harmonium. Tavener was knighted in 2000.

Bibliography

See his The Music of Silence—A Composer's Testament (2000); Glimpses of Paradise (documentary film dir. by G. Haydon, 1992); G. Haydon, John Tavener—Glimpses of Paradise (1995).


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