Telemann


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Telemann

Georg Philipp . 1681--1767, German composer, noted for his prolific output
References in periodicals archive ?
Ya que la vida en la fe habia debido abortarse, la senora Telemann exigio que la carrera a cursar fuera la de Leyes.
A fine example of this new wave of Telemann scholarship is Ute Poetzsch's critical edition of five chorale settings composed between the mid-1740s and 1754: Christus, der ist mein Leben TVWV 1:138; Du, o schemes Weltgebaude TVWV 1:394; Ich bin ja, Herr, in deiner Macht TVWV 1:822; Jesu, meine Freude TVWV 1:970; and Jesus, meine Zuversicht TVWV 1:984.
When leaving aside Bach, whose compositional poetics perhaps surpass everything, Telemann and Vivaldi too are rather differently conceived by the performers.
Their program of works by Baroque and pre-Baroque masters Telemann, Viviani, Caccini, J.
She considers well-known composers like Handel, Bach, Telemann, and Vivaldi along with lesser-known popular composers of the day.
Manama, Aug 26 (BNA) -- Minister of Culture, Shaikha Mai bint Mohammed Al Khalifa, today received Acting Ambassador of Germany to the Kingdom of Bahrain, Holker Telemann.
Bach, Georg Philipp Telemann und die Osterkantate "Gott hat den Herrn auferweckt" Wq 244', demonstrates in its richness of detail how the scrupulous study of extant documentation connected with an individual work can uncover significant biographical information.
Die Donnerode (Thunder Ode) is an oratorio- composition for orchestra, choir and soloists -- that Telemann wrote about a 1755 earthquake in Portugal.
TODAY INDEPENDENCEDAY 1767: Georg Telemann, the most prolific composer of all time, died in Hamburg.
Keeping to three great baroque composers, Handel, Telemann and Vivaldi, the concert opened in style with Handel's Suite in D Major for Trumpet and Strings, known at the time of its composition as 'Mr Handel's Celebrated Water Piece', trumpeter Philipp Rebmann providing a masterful performance.
To the old musicologists' saw that "while angels listen to Mozart, God listens only to Bach," director Michelle Graveline's precisely trained forces added the fillip: "After Bach, the Deity invariably hums Handel and Telemann.
There's no denying that that's the more effective opera (even though Telemann was working in at least one Ian-gauge that his audience understood), but it was hard to know whether Jens-Daniel Herzogs Regie updating, which moved the piece along efficiently but played in mostly for laughs, hindered or helped it.