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Hamlet
(redirected from The Murder of Gonzago)

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Hamlet
Tragic hero who tarries and broods over revenge and suicide. [Br. Lit.: Hamlet]

Hamlet
introspective, vacillating Prince of Denmark. [Br. Lit.: Hamlet]

Hamlet
black mood dominates his consciousness. [Brit. Lit.: Shakespeare Hamlet]

Hamlet
spurred on by his father’s ghost, avenges murder of his father. [Br. Lit.: Hamlet]
See : Vengeance

Hamlet 

the hero of the tragedy of the same name by Shakespeare (1601; published, 1603).

Shakespeare portrayed Hamlet as a reflective person who doubted traditional attitudes. J. W. von Goethe saw in Hamlet a man of thought, not action, who lacked the strength to meet the task of revenge forced upon him. In the interpretation of the German romantics (A. Schlegel), the image of Hamlet became a negative designation (Hamletism) for such characteristics as disillusionment, pessimism, and bitter reflections on the contradictory nature of existence. V. G. Belinskii, on the other hand, viewed Hamlet as a passionate exposer of evil, strong even in his ruin. In the speech “Hamlet and Don Quixote” (1860) I. S. Turgenev emphasized Hamlet’s inclination to self-analysis and his skepticism. In Hamlet, Soviet Shakespearean scholars and the Soviet theater have discovered the tragedy of a humanist’s lost illusions in the face of victorious evil. The image of Hamlet has often attracted artists (Delacroix), composers (Tchaikovsky), and poets (A. A. Blok and B. L. Pasternak).

REFERENCES

Fisher, K. “Gamlet” Shekspira. Moscow, 1905.
Vertsman, I. “Gamlet” Shekspira. Moscow, 1964.
Weitz, M. Hamlet and the Philosophy of Literary Criticism. Chicago-London, 1965.

M. A. GOL’DMAN



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We should remember that in The Murder of Gonzago the Player-King's story is performed upon a stage now and is condemned as an improbable fiction.
The parallels Taylor draws between Shakespeare's text and Virgil's are thought-provoking and illuminating, as are his speculations on how closely a completed version of The Murder of Gonzago would have mimicked the dumb show, and the book as a whole makes a substansive contribution to the study of literature within the context of Renaissance theories of imitation.
He gives much attention to Hamlet's scene with the players, his "rogue and peasant slave" soliloquy, and The Murder of Gonzago, all matters bearing on the incontrovertible fact (for Russell) of Hamlet's delay.
 
 
 
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