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Tin Pan Alley |
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Tin Pan AlleyGenre of U.S. popular music that arose in New York in the late 19th century. The name was coined by the songwriter Monroe Rosenfeld as the byname of the street on which the industry was based—28th Street between Fifth Avenue and Broadway in the early 20th century, around Broadway and 32nd Street in the 1920s, and ultimately on Broadway between 42nd and 50th Streets. “Tin pan” referred to the sound of pianos furiously pounded by “song pluggers” demonstrating tunes to publishers. The genre comprised the commercial music of writers of ballads, dance music, and vaudeville songs, and its name eventually became synonymous with U.S. popular music. Its demise resulted from the rise of film, audio recording, radio, and TV, which created a demand for more and different kinds of music, and the growth of commercial songwriting centres in cities such as Hollywood and Nashville. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| She articulates the ever-shifting mix of skepticism and hope that characterizes young adulthood through a concise, vicious, and distinctly feminine wit--think a more focused Nellie McKay minus the Tin Pan Alley nostalgia, or, better yet, think the late Kirsty MacColl. America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and the Tin Pan Alley, by Philip Furia and Michael Lasser. The way in which DJ Danger Mouse manipulated the recordings of The White Album has an analogue in the relationship jazz musicians have with so-called standards, the show tunes, Tin Pan Alley songs, and the blues numbers upon which they build their improvisations. |
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