Tito Schipa


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Schipa, Tito

 

Born Jan. 2, 1889, in Lecce; died Dec. 16, 1965, in New York. Italian lyric tenor.

Schipa made his debut in 1910 at Vercelli in the role of Alfredo in Verdi’s La Traviata. He sang in theaters in Italy and other countries. His finest roles included Count Almaviva in Rossini’s The Barber of Seville, the title role in Massenet’s Werther, and three roles in Donizetti operas, namely, Edgar in Lucia di Lammermoor, Ernesto in Don Pasquale, and Nemorino in L’Elisir d’amore. Schipa left the opera stage in 1955. He performed in concert until 1958 and also taught. In 1957 he visited the USSR, where he served as jury chairman for a vocal competition at the World Festival of Youth in Moscow.

Schipa composed the operetta La Principessa Liana (1929) and several songs. He also appeared in musical films.

REFERENCE

Lauri-Volpi, G. Vokal’nyeparalleli. Leningrad, 1972. (Translated from Italian.)
References in periodicals archive ?
They were inspired by Tango Cancion (Tango Song), an early 20th century form of music made famous by two great tango interpreters: Italian tenor, Tito Schipa, and Carlos Gardel, a French-Argentinian star who played a prominent historical role in the development of tango.
Fabio and Fabrizio were inspired by Tango Cancion (Tango Song), an early twentieth-century form of music made famous by two Tango interpreters: Italian tenor, Tito Schipa, and Carlos Gardel, a French-Agrentinian star.
A one-time student of the legendary Tito Schipa, Zucker nudged himself into the Guiness Book of World Records back in 1972 as the world's highest tenor after managing to sustain an A above high C in a much discussed concert.
Perhaps the cigarette factory, bullring and Alcazar gardens were drawing cards for such great tenors as Giacomo Lauri-Volpi, Beniamino Gigli, Tito Schipa and Miguel Fleta to sing at the Teatro Lope de Vega.
Tano married a Cardiff girl, Penelope Messini, made concert appearances, broadcasts and records, enthralling critics who compared him to Italy's Tito Schipa, best-loved of all opera's bel canto tenors.
Many in Germany in 1997, they feature Caruso, Gigli, Tito Schipa, Richard Tauber, Leo Slezak and Joseph Schmidt.
TITO SCHIPA Complete Victor Recordings 1922-25 (Romophone 82014-2): Blessed with an aristocratically lyrical light tenor voice, Tito Schipa was a master of bel canto, popular Italian and Spanish song, and a not negligible composer of material in his own right.
Moreover, Met On Demand offers only complete performances thus far, which robs us of the opportunity to experience Kirsten Flagstad's transcendent Met debut in 1935 in the role of Sieglinde, or other partially preserved broadcasts offering such elusive treasures as the Donna Anna and Don Ottavio of Rosa Ponselle and Tito Schipa in Mozart's Don Giovanni, or the beloved Lucrezia Bori's farewell to the Met in Manon.
To my ear, he displays the extraordinary musical and vocal virtues of the immortal Tito Schipa, except pure sweetness of tone, because he has the slightly dry tonal timbre of an Alfredo Kraus.
If you listen to the three discs representing 1897-1927, you'll hear Caruso, Francesco Tamagno, Fernando di Lucia, Leo Slezak, Giovanni Zenatello, Ippolito Lazaro, Bernardo de Muro, Dmitri Smirnov, Tito Schipa, Fernand Ansseau, Miquel Fleta, Georges Thill, John McCormack, Aureliano Pertile and Gigli.