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Sackville-West, Vita
(redirected from Vita Sackville-West)

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Sackville-West, Vita (Victoria Mary Sackville-West), 1892–1962, English writer; wife of Sir Harold Nicolson and granddaughter of the 2d Baron Sackville. Both she and Nicolson were members of the Bloomsbury group Bloomsbury group, name given to the literary group that made the Bloomsbury area of London the center of its activities from 1904 to World War II. It included Lytton Strachey, Virginia Woolf, Leonard Woolf, E. M.
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. Her poems in The Land (1926), Selected Poems (1941), and The Garden (1946) won praise, but she is better known for her novels, The Edwardians (1930) and All Passion Spent (1931). Among her other works are Knole and the Sackvilles (1922), about her family's past, and her charming fictional portrait of her grandmother, Pepita (1937). All Sackville-West's books reveal her wit, her vocation as a poet, and her aristocratic heritage.

Bibliography

See Portrait of a Marriage (1973) by her son Nigel Nicolson; studies by S. R. Watson (1972) and M. Stevens (1974).


Sackville-West, Vita

 orig. Victoria Mary Sackville-West

(born March 9, 1892, Knole, Kent, Eng.—died June 2, 1962, Sissinghurst Castle, Kent) British novelist and poet. The daughter of a baron, she married the diplomat and author Harold Nicolson (1886–1968) in 1913; her journal was the basis of Portrait of a Marriage (1973) by their son Nigel, which described a happy marriage in which both partners were principally homosexual. Her gift for evoking the beauty of the Kentish countryside was evident in her long poem The Land (1926). Her best-known novels are The Edwardians (1930) and All Passion Spent (1931). She also wrote biographies and gardening books. She was the inspiration for the title character in her friend Virginia Woolf's novel Orlando.



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Byline: Elizabeth Shaheen One of the most celebrated naturalistic white gardens was created by Vita Sackville-West at Sissinghurst in Kent, England.
Vita Sackville-West and Harold Nicolson, Virginia and Leonard Woolf, Jean Cocteau and Jean Marais, the poet Thom Gunn and his houseful of committed partners--well, what we've always been is inventive, resourceful, and alive to the many ways it's possible to be together, to make a life.
In 1922, when modernism was demolishing all the old narrative certainties, Vita Sackville-West wrote of her ancestral home, Knole of some very old woman who has always been beautiful, who has had many lovers and seen many generations come and go … It is above all an English home … It has the tone of England; it melts into the green of the garden turf, into the tawnier green of the park beyond, into the blue of the pale English sky.
 
 
 
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