Printer Friendly
Dictionary, Encyclopedia and Thesaurus - The Free Dictionary
3,590,236,171 visitors served.
forum Join the Word of the Day Mailing List For webmasters
?
Dictionary/
thesaurus
Medical
dictionary
Legal
dictionary
Financial
dictionary
Acronyms
 
Idioms
Encyclopedia
Wikipedia
encyclopedia
?

De Sica, Vittorio
(redirected from Vittorio De Sica)

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.01 sec.
De Sica, Vittorio (vēt-tôr`yō də sē`kə), 1901–74, Italian film director and actor. His Shoeshine (1946), The Bicycle Thief (1948), and Umberto D. (1952) are classics of postwar Italian neorealism. Among his later works are Yesterday, Today, and Tomorrow (1964), and The Garden of the Finzi-Continis (1971), both of which won Academy Awards. He starred in Rossellini Rossellini, Roberto , 1906–77, Italian film director and producer. He first received international attention in 1946 with Open City, which was made clandestinely during the Fascist period and became the key film of the neorealist movement.
..... Click the link for more information.
's General Della Rovere (1959) and many other films.

De Sica, Vittorio

(born July 7, 1901, Sora, Italy—died Nov. 13, 1974, Paris, France) Italian film director and actor. He joined an acting company in 1923 and soon became a matinee idol. He appeared on screen as a leading man in a series of light comedies, and he excelled in a dramatic role in Roberto Rossellini's General della Rovere (1959). He directed his first film in 1940 and, working with screenwriter Cesare Zavattini, made a major contribution to the Neorealism of the postwar Italian cinema with Shoeshine (1946, Academy Award) and The Bicycle Thief (1948, Academy Award). His later films include Umberto D. (1952), Two Women (1961), Yesterday, Today, and Tomorrow (1963, Academy Award), and The Garden of the Finzi-Continis (1971, Academy Award).


De Sica, Vittorio 

Born July 7, 1901, in Sora; died Nov. 13, 1974, in Paris. Italian film actor and director.

De Sica began appearing in films in the 1930’s and began directing in 1940. The film The Children Are Watching Us (1943) marked the beginning of De Sica’s collaboration with the scenario writer C. Zavattini. Developing the artistic principles of neorealism, a school of which he was one of the founders, De Sica made the films Shoe shine (1946), The Bicycle Thief (1948), Umberto D. (1951), Miracle in Milan (1951), and The Roof (1956). His work was extremely social and humanistic, imbued with protest against the injustices and cruelty of bourgeois society and against fascism and war. De Sica’s acting and directing was marked by high skill and fine artistic taste. His works were distinguished by a variety of genres, a combination of psychological depth and sharp satire, and elegant, subtle humor. The role of Bertone in the film General Delia Rovere (1959) was one of his best acting roles. He directed the films La Ciociara (1960, after the novel of A. Moravia), The Last Judgment (1961), The Condemned ofAltona (1962, after the play of J. P. Sartre), Yesterday, Today , and Tomorrow (1963), Boom (1963), Marriage, Italian -Style (1964, after the play of De Filippo, Filumena Marturano), The Sunflowers (1970, a joint Italian-French production with the collaboration of the Mosfil’m Film Studio), and The Garden of the Finzi-Continis (1971, after the novel of G. Bassani).

REFERENCES

Bogemskii, G. Vittorio de Sika. Moscow, 1963.
Bazin, A. Vittorio De Sica, Parma, 1953.


How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content.
?Page tools
Printer friendly
Cite / link
Feedback
Mentioned in?  References in periodicals archive?   Encyclopedia browser?   Full browser?
No references found
 
Loren worked with great Italian directors including Dino Risi, Vittorio De Sica and Ettore Scola but unlike Bardot, who starred with French legends such as Jean-Luc Godard or Louis Malle, went on to work in Hollywood.
He enjoyed international success with We All Loved Each Other So Much (C'eravamo tanto amati), a wide fresco of post-World War II Italy life and politics, dedicated to fellow director Vittorio De Sica.
But the Padua of A Noise Within's new production bids a fond farewell to Shakespeare's era and places the action in the 1950s Italy of Federico Fellini and Vittorio de Sica.
 
 
 
Encyclopedia
?

Terms of Use | Privacy policy | Feedback | Copyright © 2012 Farlex, Inc.
Disclaimer
All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.