Wallace Stevens


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Stevens, Wallace,

1879–1955, American poet, b. Reading, Pa., educated at Harvard and New York Law School, admitted to the bar 1904. While in New York, he mingled in literary circles and published his first poems in the magazine Poetry. Moving to Connecticut, he was associated after 1916 with the Hartford Accident and Indemnity Company, and from 1934 until his death he served as its vice president. A master of exquisite, gravely lyrical verse, elegant in form and style, Stevens was concerned with creating some shape of order in the world's "slovenly wilderness" of chaos and with creating a life "unsponsored" by God but enriched by language and the imagination. These ideas are expressed in his earliest volume, Harmonium (1923), which contains many of the best known of his poems, including "Sunday Morning," in which a woman stays home from church and the spiritual remains, without God, "Thirteen Ways of Looking at a Blackbird," and "The Emperor of Ice Cream." His ideas are developed subsequently in Ideas of Order (1936); The Man with the Blue Guitar (1937); Parts of the World (1942); Transport to Summer (1947), which includes the long poem "Notes toward a Supreme Fiction," in which Stevens elaborates on the poet's role in creating the fictions necessary to transform and harmonize the world; The Auroras of Autumn (1950); The Necessary Angel, essays (1951); and Opus Posthumous (1957). His Collected Poems (1954) was awarded the Pulitzer Prize.

Bibliography

See his Collected Poetry and Prose, ed. by F. Kermode and J. Richardson (1997); letters, ed. by H. Stevens (1966); biographies by H. Stevens (1977), J. Richardson (2 vol., 1986–88), and P. Mariani (2016); studies by H. Vendler (1969), H. Bloom (1980), and E. Cook (2009).

Stevens, Wallace

(1879–1955) poet, insurance executive; born in Reading, Pa. He took a special course at Harvard (1897–1900) and published some poems while there. He went to New York City to work as a journalist (1900–01) but didn't care for journalism and went to New York University Law School (1901–03). He practiced law in New York City (1904–16) and in 1916 joined the legal staff of the Hartford Accident and Indemnity Company, with which he remained until his death (becoming a vice-president in 1934). While in New York City he had come to know many of the leading writers and artists, and he published his first poems as an adult in 1914, with "Sunday Morning" appearing in Poetry magazine in 1915. His verse play, "Three Travelers Watch a Sunrise," (1916) won a Poetry prize and was produced by New York's Provincetown Playhouse (1917). His first collection of poetry, Harmonium, was published in 1923, and though selling less than 100 copies, received some acclaim from fellow poets. More collections followed throughout the 1930s and 1940s, but not until the 1950s did he begin to receive wider recognition, reflected in literary awards, publication of his essays and addresses, and tributes to him as a major modern poet. After his death his influence on poets and serious readers of poetry only increased, for they found in the meticulous language and daring metaphors of such poems as "The Emperor of Ice Cream" and "The Man with the Blue Guitar"—decidedly difficult as they are—the creative imagination that allows humans to face the reality Stevens valued.
References in periodicals archive ?
The best defense of Wallace Stevens among Others is that it is an exploration of a complex set of resonances.
The next two chapters offer a series of readings of two of the most canonical figures in twentieth-century American poetry, Wallace Stevens and Robert Frost.
As much as Kimmelman argues that poets in the Oppen tradition are "men made out of words," to borrow a phrase associated with Wallace Stevens, Schuster discusses the slippery issue of facticity and the dangerous and yet potentially liberating process of re-imaging history through creative writings in Du Plessis, Bernstein, and Friedlander.
That's sound advice, as Wallace Stevens understood.
Wallace Stevens also stakes his poetic project on the "necessary angel" of a new perspective.
Tall and of a port in air," Johnson's large vessels are like the jar that Wallace Stevens imagined placing on a hilltop in Tennessee.
When he turned me toward Wallace Stevens in 1964, a window was opening on a radiant universe of reality and imagination, what Stevens might have thought of as the "supreme fiction.
First, the minimalist song cycle, Carnations (1988), is a delicate work for mezzo soprano and piano and contains songs set to a poem in three parts by Wallace Stevens.
As Wallace Stevens suggested, the greatest sin is not to live in a physical world.
The Contemplated Spouse: The Letters of Wallace Stevens to Elsie.
Eliot, Ezra Pound, Wallace Stevens, and William Carlos Williams is presented in Poetry, Politics & Culture: Argument In The Work Of Eliot, Pound, Stevens & Williams by Harold Kaplan (Professor Emeritus of English and American literature at Northwestern University and formerly of Rutgers University and Bennington College).
Wallace Stevens, considered one of the world's best poets of the twentieth century, was different--in his appearance, in his take of the contemporary scene and in his approach to everyday life.