Walter Benjamin


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Benjamin, Walter

 

Born July 15, 1892, in Berlin; died Sept. 27, 1940. German philosopher, sociologist, and literary critic.

Benjamin lived in Berlin until 1933, when he emigrated to Paris. During an attempt to escape from occupied France he was detained at the Spanish border, where he committed suicide. Characteristic of Benjamin’s thought was the rejection of abstract schematization and a return to the historical concreteness of the individual and the particular; both qualities are evident in his philosophical and historical work Origins of German Tragedy (1928), his numerous essays (for example, “Paris, Capital of the 19th Century”), and his articles. He was one of the first to give a sociological analysis of the changes in social functions and in the meaning of a work of art related to its mass reproduction by technical means and the loss of its “aura”—the aureole of uniqueness and inimitability. Benjamin was a major influence on T. Adorno and his school.

WORKS

Schriften, vols. 1–2. Frankfurt am Main, 1955.
Ausgewaáhlte Schriften, vols. 1–2. Frankfurt am Main, 1961–66.

REFERENCES

Tiedemann, R. Studien zur Philosophie W. Benjamins. Frankfurt am Main, 1965. (Includes bibliography.)
Uber W. Benjamin. Frankfurt am Main, 1968.

A. V. MIKHAILOV

References in periodicals archive ?
En un apunte de 1932, justo antes del ascenso nazi en Europa, Walter Benjamin anota su lectura sobre esta idea de Marx: "Cuando la historia conduce una vieja forma a la tumba, lo hace como comedia.
In this book, author Miguel Abensour presents readers with a comprehensive examination of the concept of utopia as put forth by Thomas More and Walter Benjamin, looking at each thinkerAEs moment in the timeline of the basic ideas surrounding the concept.
A hora das criancas: narrativas radiofonicas de Walter Benjamin.
se trata de traiciones plurales perpetradas por Walter Benjamin o en su nombre?
La concepcion mesianica del tiempo contra el curso infinito del progreso en la obra de Franz Rosenzweig y Walter Benjamin es analizada en el tercer capitulo.
Another interesting illustration of Benjamin's approach to biography as an open-ended process is his enduring concern with Kafka and his criticism of Max Brod's attempt to exercise an "interpretive monopoly" on Kafka's work (458, 600; see also Benjamin's letters to Scholem of April 14 and June 12, 1938: Walter Benjamin und Gershom Scholem, Briefwechsel [Frankfurt/Main: Suhrkamp, 1980], 261-63, 266-73).
The short essay, "Abraham Abulafia, Gershom Scholem and Walter Benjamin on Language," presents a comparative reading of Benjamin and Abulafia, a thirteenth-century kabbalist.
Walter Benjamin, "On the Concept of History," in: Selected Writings vol.
Kang, Jaeho, Walter Benjamin and the Media: The Spectacle of Modernity, Polity Press, Cambridge, 2014, ISBN 9 7807 4564 5209, 196 pp.
Voluntary ex ante transparency notice: an exhibition titled "bestial" at the contemporary art centre walter benjamin in perpignan, in the spring of 2015.
En 1933 Walter Benjamin escribe su texto mas relevante sobre la mimesis, que cuenta con dos versiones diferentes: "La doctrina de lo semejante", a comienzos de ese ano, antes de su exilio, y "La facultad mimetica", en Ibiza unos meses despues.