Wilhelm Hauff


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Hauff, Wilhelm

 

Born Nov. 29, 1802, in Stuttgart; died there Nov. 18, 1827. German romantic writer.

Hauff studied theology at the University of Tübingen from 1820 to 1824. His talent was evidenced in the Fairy Tale Almanac (3 vols., 1826–28), in which, particularly in “The Story of Little Muk” and “The Cold Heart,” he combined a mastery of the Oriental and German folktale traditions with a keen interest in contemporary problems. His short stories, such as The Beggar-woman From the Pont des Arts (1826), and his historical novel Lichtenstein (1826; Russian translation, 1887), which is written in the manner of W. Scott, played a certain role in the development of critical realism in 19th-century German literature.

WORKS

Sämtliche Werke, vols. 1–4. Edited by W. Scheller. Leipzig [1956].
In Russian translation:
Skazki. Ivanovo, 1959.

REFERENCES

Istoriia nemetskoi literatury, vol. 3. Moscow, 1966.
Hofmann, H. W. Hauff. Frankfurt am Main, 1902.

A. A. GUGNIN

References in periodicals archive ?
He quotes the well-known examples, like Clemens Brentano (Gockel und Hinkel), Wilhelm Hauff (JudSuss), Wilhelm Raabe (Hungerpastor), Karl Immermann (Die Epigonen) Wilhelm Busch (Die fromme Helene, Plisch und Plum), Felix Dahn (Kampf um Rom), and Freytag of course, but again the book leaves the reader with the impression that German literature from Romanticism to Realism was entirely antisemitic.
Hoffmann, Hans Christian Andersen and the neglected Wilhelm Hauff, to identify certain common thematic complexes.
Lenau, Wilhelm Hauff (1802 - 27), and Gustav Schwab (1792 - 1850), was a primarily conservative group, interested in the preservation of tradition, and was already very like the postromantic Biedermeier movement.
As I argue shortly, a parallel claim can be made about the political import of Jud Suss itself as the work of the 'private' citizen Wilhelm Hauff.