William Carlos Williams


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Williams, William Carlos,

1883–1963, American poet and physician, b. Rutherford, N.J., educated in Geneva, Switzerland, Univ. of Pennsylvania (M.D., 1906), and Univ. of Leipzig, where he studied pediatrics. He is regarded as one of the most important and original American poets of the 20th cent. Williams began his medical practice in 1910 in Rutherford and was a physician for more than 40 years. His early poetry shows the influences of the various poetic trends of the time—from metaphorical imagism in Poems (1909) and The Tempers (1913) to free-verse expressionism in Al Que Quiere! (1917), Kora in Hell (1920), and Sour Grapes (1921). Williams observed American life closely, expressed anger at injustice, and recorded his impressions in a lucid, vital style. He developed a verse that is close to the idiom of speech, revealing a fidelity to ordinary things seen and heard. Later volumes of his poetry include Collected Poems (1934), Collected Later Poems (1950), Collected Earlier Poems (1951), Journey to Love (1955), Pictures from Brueghel, and Other Poems (1963; Pulitzer Prize), and a five-volume, impressionistic, philosophical poem, Paterson (1946–58), in which he uses the experience of life in an American city to voice his feelings on the duty of the poet. His essays include those in In the American Grain (1925), Selected Essays (1954), and Embodiment of Knowledge (1974). Among his other works are a collection of short stories, Make Light of It (1950); plays, including A Dream of Love (1948) and Many Loves (1950); and the novels A Voyage to Pagany (1928), a three-volume chronicle of an immigrant family in America, White Mule (1937), In the Money (1940), and The Build-Up (1952). His autobiography appeared in 1951 and his Selected Letters was published in 1957.

Bibliography

See biographies by R. Coles (1975) and P. Mariani (1981); studies by J. E. Breslin (1970), S. Tapscott (1984), S. Cushman (1985), A. Fisher-Wirth (1989), W. Berry (2011), and H. A. Leibowitz (2011).

Williams, William Carlos

(1883–1963) poet, writer, physician; born in Rutherford, N.J. He studied in Switzerland and Paris (1897–99), the University of Pennsylvania's medical school (M.D. 1906), and did postgraduate work in pediatrics in Leipzig (1909–10). Returning to Rutherford, N.J., he would combine the writing of poetry with the practice of medicine (1910–51). He was associated with the Imagists early in his career, but preferred to call his approach "objectivism." He went on to create a revolutionary modernist approach to prose and poetry; his masterpiece is generally regarded to be the five-volume semiautobiographical epic poem, Paterson (1946–58). He was also a novelist, playwright, critic, and translator, and was appointed Consultant in Poetry, Library of Congress, Washington, D.C. (1952), although he declined to serve.
References in periodicals archive ?
Robert McAlmon, who convinced William Carlos Williams to start Contact at one of Ridge's gatherings in 1920, also immortalized her parties in several chapters of his book Post-Adolescence.
Landscape with the Fall of Icarus by William Carlos Williams inspired by Pieter Brueghel's The Fall of Icarus
Zinsser picked up at Columbia what William Carlos Williams had acquired at Penn: the spirit of pragmatic humanism that flourished in the "aristocratic" American universities of John Dewey's era.
In Philadelphia he met his future patron Albert Barnes, the well-known collector of modern art, as well as William Carlos Williams who stated that he met Demuth "over a dish of prunes at Mr.
Who work at DoubleTake magazine try not to forget how our publication got to be and why we still want to remember fondly the spoken and written words of William Carlos Williams.
As William Carlos Williams poetically described it, "There was/A splash quite unnoticed/This was/Icarus drowning.
The promoters of Imagism, which included Hilda Doolittle, John Gould Fletcher, Richard Aldington, and later, Amy Lowell and William Carlos Williams, were attempting to challenge what they considered the superficially decorative and overly verbose poetry of the accepted 19th century canon.
Q: Your book's title, The Heart Aroused Poetry and the Preservation of the Soul in Corporate America, came from a poem by William Carlos Williams, who was a country doctor and poet in Rutherford, New Jersey.
For poetry teachers of all ages, The Teachers & Writers Guide to William Carlos Williams includes 17 essays on using the poet's work to inspire writing.
She relates the stow, told in supple American English, of how, after being wrenched from her native Spanish, she eventually finds a home in the language of Emily Dickinson, William Carlos Williams, and Maxine Hong Kingston.
In a closely argued and detailed book, Leavell presents the reader with a compelling account of Moore's editorship of the Dial in the 1920s, and her involvement with artists like Marsden Hartley, Alfred Stieglitz, Alfred Kreymborg, Marguerite Zorach, and William Carlos Williams, and how their influence upon her shaped her writing career.
Instead, Morris ropes in a wide spectrum of voices and perspectives, ranging from Baudrillard to Bourdieu to Foucault to Spivak--from William Carlos Williams to Raymond Williams--to get this story told.