Witold Gombrowicz


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Gombrowicz, Witold

 

Born Aug. 4, 1904, in Malo-szyce, near Opatów. Polish writer.

Gombrowicz began publishing in the I930’s. The novella Ferdydurke (1938). in which Gombrowicz has clearly broken with the realistic tradition, is well known. Psychological observations are presented on a fantastic, grotesque plane. The portrayal of stereotypes of the behavior and thought of a particular milieu (aristocracy, petite bourgeoisie, school) develops into a conception of the unnatural quality of human relations in general and of the inevitability of all kinds of “masks” and “poses” and pessimistically denies reality. After World War II. Gombrowicz chose to remain an émigré and became an ardent opponent of the People’s Poland.

WORKS

Ferdydurke. Warsaw, 1957.

REFERENCE

Sandauer, A. Dla każdego coś przykrego. Krakow. 1966.

B. F. STAKHEEV

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Instead of writing another paragraph introducing Schulz and his work before moving to the main argument of the current text, let us read, quoted here in extenso, the literary portrait of Bruno Schulz, sketched by Witold Gombrowicz, the writer who emerged almost at the same time as Schulz, and who, though radically different, was closer to him than any other artist.
This attitude can be also found in the work of Witold Gombrowicz, the Polish absurdist writer who emigrated from Poland in 1939 and to whom Polanski is often linked.
Witold Gombrowicz w oczach krytyki niemieckiej [A Patagonian in Berlin.
production of a play in two acts by Adriano Shaplin, based on the novel "Possessed" by Witold Gombrowicz.
6) Witold Gombrowicz nace en Maloszyci (Polonia) en 1904.
In this essay, I consider two instructive--and still relatively little-studied--cases of such interactions of the diasporic and the exilic, articulated in the lives and work of two writers who spent the greater part of their lives as members of Slavic diasporic communities in Latin America, Witold Gombrowicz (1904-1969), who lived in Argentina from 1939 through 1963, and Valerii Pereleshin (2) (1913-1992), who lived in Brazil from 1953 until his death.
The moral compass that US intellectuals have so tragically lost she finds in writers like Yugoslavia's Danilo Kis, "who spoke up against nationalism and fomented-from-the-top ethnic hatreds" but "could not save Europe's honor, Europe's better idea," and Poland's Witold Gombrowicz, who in "strengthening his disaffection from nationalist pieties and self-congratulation" became "a consummate citizen of world literature.
Gombrowicz's Grimaces is undoubtedly a ground-breaking and long overdue in-depth study of the major prose works (with the exception of the play History) by the Polish emigre writer Witold Gombrowicz (1904-69).
Sitting in an Argentine train compartment, seething at the press of others, the twentieth-century Polish emigre writer Witold Gombrowicz begins his Diary entry for the year 1962 this way:
Ten years after the destruction of the Warsaw ghetto, Le communisme, a book by Dionys Mascolo, incarnated for Witold Gombrowicz, the Polish writer who had been living in exile in Argentina since the 1930s, some important materialist precepts.
But, as Polish playwright Witold Gombrowicz reminds us, its a seamless universe.
To this group belong Czeslaw Milosz, Jerzy Andrzejewski, Kazimierz Wyka, and Witold Gombrowicz.