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Yeats, W. B. |
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Yeats, W. B. (William Butler Yeats), 1865–1939, Irish poet and playwright, b. Dublin. The greatest lyric poet Ireland has produced and one of the major figures of 20th-century literature, Yeats was the acknowledged leader of the Irish literary renaissance Irish literary renaissance, late 19th- and early 20th-century movement that aimed at reviving ancient Irish folklore, legends, and traditions in new literary works. ..... Click the link for more information. . Early LifeSon of the painter John Butler Yeats, William studied painting in Dublin (1883–86). As a boy he attended school in London and spent vacations in County Sligo, Ireland, which was the setting for many of his poems. He became fascinated by Irish legends and by the occult. His first work, the drama Mosada (1886), reflects his concern with magic, but the long poems in The Wanderings of Oisin (1889) voiced the intense nationalism of the Young Ireland movement. Poetry: First PeriodYeats's verse can be divided into two periods, the first lasting from 1886 to about 1900. The poetry of this period shows a debt to Spenser, Shelley, and the Pre-Raphaelites. It centers on Irish mythology and themes and is mystical, slow-paced, and lyrical. Among the best-known poems of the period are "Falling of Leaves," "When You Are Old," and "The Lake Isle of Innisfree." Yeats edited William Blake Blake, William, 1757–1827, English poet and artist, b. London. Although he exerted a great influence on English romanticism , Blake defies characterization by school, movement, or even period. Drama and ProseYeats's efforts to foster Irish nationalism were inspired for years by Maud Gonne, an Irish patriot for whom he had a hopeless passion and to whom he repeatedly and fruitlessly proposed marriage. In 1898 with Lady Augusta Gregory Gregory, Lady Augusta (Isabella Augusta Persse), 1859–1932, Irish dramatist. Though she did not begin her writing career until middle-age, Lady Gregory soon became a vital force in the Irish drama. Poetry: Second Period, and Later LifeYeats's poetry deepened as he grew older. In the verse of his middle and late years he renounced his early transcendentalism; his poetry became stronger, more physical and realistic. A recurring theme is the polarity between extremes such as the physical and the spiritual, the real and the imagined. Memorable poems from this period include "The Second Coming," "The Tower," and "Sailing to Byzantium." Yeats initiated his second period in such volumes as In the Seven Woods (1903) and The Green Helmet and Other Poems (1910). In 1917 he married Bertha Georgiana Hyde-Lees (known as Georgie or George), and his occultism was encouraged by his wife's automatic writing. His prose work A Vision (1937; privately printed 1926) is the basis of much of his poetry in The Wild Swans at Coole (1917) and Four Plays for Dancers (1921). Yeats ultimately became a respected public figure, a member (1922–28) of the Irish senate, and winner of the 1923 Nobel Prize in Literature. Some of his best work was his last, The Tower (1928) and Last Poems (1940). All of Yeats's work shows interesting and important revisions from earlier to later versions (see The Variorum Edition of his poems, ed. by Peter Allt and Russell R. Alspach, 1957). BibliographyA Bibliography of the Writings of W. B. Yeats was prepared by A. Wade (3d ed., ed by R. K. Alspach, 1968). See also Yeats's Autobiographies (new ed. 1999), Collected Letters (3 vol., ed. by J. Kelly et al., 1986–), Memoirs (ed. by D. Donoghue, 1973), Collected Poems (new ed., 2d ed. 1997), Collected Plays (enl. ed., reissued 1952), Mythologies (1959), Senate Speeches (ed. by D. R. Pearce, 1960), and Essays and Introductions (1961). See also biographies by H. Bloom (1970), A. N. Jeffares (1989), T. Brown (1999), B. Maddox (1999), and R. F. Foster (2 vol., 1997–2003); studies by T. F. Parkinson (1951 and 1964), R. Ellmann (2d ed. 1964), P. L. Marcus (1970), J. R. Moore (1971), and A. N. Jeffares (1977). |
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