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Yiddish drama |
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Yiddish dramaProductions of the professional Yiddish theatre. European Jewish drama originated in the Middle Ages, when dancers and jesters entertained at Purim celebrations. By the 16th century, these entertainments had become elaborate plays performed in Yiddish, the language of the majority of central and eastern European Jews. The professional Yiddish theatre dates from 1876, when Abraham Goldfaden (1840–1908) wrote a well-received musical sketch in Romania and organized a troupe to perform his songs and plays. In 1883 anti-Semitic laws in Russia that forbade Yiddish plays compelled many actors and playwrights to immigrate to England and the U.S. The playwright Jacob Gordin (1853–1909) brought new material and adaptations to the U.S. Yiddish theatre, including The Jewish King Lear (1892), starring Jacob P. Adler, founder of a family of Yiddish- and English-speaking actors. In 1918 Maurice Schwartz founded and directed the Yiddish Art Theatre, which trained actors such as Jacob Ben-Ami and Muni Weisenfreund (later known as Paul Muni). World War II destroyed most Yiddish culture in eastern Europe, and by the late 20th century only a few Yiddish theatres survived in New York City, London, Bucharest, and Warsaw. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | These include Sholem Asch's 1907 female homoerotic-themed Yiddish drama God of Vengeance, Abraham Cahan's 1917 novel The Rise of David Levitsky, actress Molly Picon's cross-dressing roles, and gender ambiguity in I. This spot-on team of actors, directors and musicians has captured almost to perfection the spirit of this brand of theatrical cabaret, which traces its history not only through Brecht and Weil but back to central European Yiddish drama. Sandrow details how Gordin's first encounter with Yiddish drama both "horrified and inspired" him, but also convinced him that Yiddish theater could be more than just mere shund. |
Yiddish drama |
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