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Yiddish drama |
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Yiddish dramaProductions of the professional Yiddish theatre. European Jewish drama originated in the Middle Ages, when dancers and jesters entertained at Purim celebrations. By the 16th century, these entertainments had become elaborate plays performed in Yiddish, the language of the majority of central and eastern European Jews. The professional Yiddish theatre dates from 1876, when Abraham Goldfaden (1840–1908) wrote a well-received musical sketch in Romania and organized a troupe to perform his songs and plays. In 1883 anti-Semitic laws in Russia that forbade Yiddish plays compelled many actors and playwrights to immigrate to England and the U.S. The playwright Jacob Gordin (1853–1909) brought new material and adaptations to the U.S. Yiddish theatre, including The Jewish King Lear (1892), starring Jacob P. Adler, founder of a family of Yiddish- and English-speaking actors. In 1918 Maurice Schwartz founded and directed the Yiddish Art Theatre, which trained actors such as Jacob Ben-Ami and Muni Weisenfreund (later known as Paul Muni). World War II destroyed most Yiddish culture in eastern Europe, and by the late 20th century only a few Yiddish theatres survived in New York City, London, Bucharest, and Warsaw. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | S Weinberg was born into a Jewish family in Warsaw in 1919 where his father was a violinist and conductor in a Yiddish theatre. Estelle Scher was born to Jewish parents in New York, attending the Yiddish theatre as a little girl. Born to Russian-Jewish immigrants in New York, Matthau had a few walk-on parts in Yiddish theatre, but turned to professional acting only after the Second World War, during which he was an aircrew sergeant with the same bomber group station in Britain of which James Stewart was a colonel. |
Yiddish theatre |
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