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Mikhail Zoshchenko |
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Zoshchenko, Mikhail Mikhailovich
Born July 29 (Aug. 10), 1895, in St. Petersburg; died July 22, 1958, in Leningrad. Soviet Russian satirical writer. While a student in the law department of the University of St. Petersburg, Zoshchenko left for the front as a volunteer in World War I. He was wounded and demobilized with the rank of captain second grade. In 1918 he joined the Red Army as a volunteer. Zoshchenko began to appear in print in 1922. He belonged to the literary group known as the Serapion Brethren. His first book, Stones of Nazar IVich, Mr. Sine-briukhov (1922), and the stories that followed it brought the author wide fame. In each of these stories, a tale is told by a hero-narrator about petit bourgeois people attempting to feel comfortable in new conditions, confident that the revolution had occurred to provide them with a trouble-free existence. Zoshchenko often contrasts the foolishness, coarseness, and egotism of his “heroes” with dreams about the pure amicability and spiritual delicacy that will govern relations between people in the future (for example, his stories The Sorrows of Werther, 1933, and The Lights of the Big City, 1936). Topical satires occupy a significant place in Zoshchenko’s creative work: in them the writer directly comments on contemporary events. He also wrote longer works differing in genre and manner of narration: the novellas Mishel’ Siniagin (1930), Restored Youth (1933), The Blue Book (1934), Kerensky (1937), and Taras Shevchenko (1939) and the satirical plays The Canvas Briefcase (1939) and Let the Unfortunate Cry (1946). Some of Zoshchenko’s works (among them, the novella Before Sunrise, 1943) were sharply criticized in the press. He translated the Finnish author Maiju Lassila’s novellas For Matches and Born Twice. His books have been reprinted many times and frequently translated into foreign languages. Zoshchenko was awarded the Order of the Red Banner of Labor and several medals. WORKSSobr. soch., vols. 1–6. Moscow, 1929–31.Izbrannye rasskazy i povesti, 1923–1956. Leningrad, 1956. Rasskazy, fel’etony, komedii: Neizdannye proizvedeniia. Moscow-Leningrad, 1963. Izbr. proizv., vols. 1–2. Leningrad, 1968. (With a preface by P. Gromov.) REFERENCESMikhail Zoshchenko: Stat’ii materialy. Leningrad, 1928. (Articles by V. Shklovskii, A. Barmin, V. Vinogradov, and others.)Fedin, K. “Mikhail Zoshchenko.” In Pisatel’, iskusstvo i vremia. Moscow, 1961. “M. Gor’kii i sovetskie pisateli: Neizd. perepiska.” In Literaturnoe nasledstvo, vol. 70. Moscow, 1963. Russkie sovetskie pisateli-prozaiki: Bio-bibliograficheskii ukazatel’, vol. 2. Leningrad, 1964. G. N. MUNBLIT Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | 00 Hardcover PN41 From Japanese writer and playwright Kobo Abe to Russian satirist Mikhail Zoshchenko, this four-volume reference work contains some 500 alphabetical entries, each focused on a particular world literary figure, that are designed to provide students with a comprehensive view of how an author's work fits within the context of the author's life, historical events, and the literary world. A few translations appeared of crudely humorous pieces by contemporary Soviet writers such as Mikhail Zoshchenko, of which the only point can have been to exhibit solidarity with the Soviet ally. 125) is conventional both in terms of the emotion experienced and in terms of the literary expression of this attitude; as Alexander Zholkovsky has shown, her narrative of the event follows a pattern discernible in both classical and modern Russian literature; see "Three on Courtship, Corpses, and Culture: Tolstoj, 'Posle bala' - Zoshchenko, 'Dama s cvetami' - E. |
Zoshchenko |
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