a literary genre; a short tale, usually in verse and allegorical form, that satirically depicts human actions and relationships. The fable is similar to the parable and apologue. In addition to people, the characters in fables are animals, plants, and things. At the beginning or end of a fable there is usually an aphoristic, didactic conclusion (the moral).
The fable is one of the oldest literary genres. In ancient Greece, Aesop (sixth to fifth centuries B.C.) was famous for his fables in prose. In Rome, Phaedrus (first century A.D.) wrote fables. In India the collection of fables Panchatantra dates to the third century. The most outstanding fabulist of modern times was the French poet J. de La Fontaine (17th century).
In Russia the fable developed between the mid-18th and the beginning of the 19th century. It is associated with the names of A. P. Sumarokov (parables), I. I. Khemnitser, A. E. Izmailov, and I. I. Dmitriev, although the first experiments with verse fables had already been made in the 17th century by Simeon Polotskii and in the first half of the 18th century by A. D. Kantemir and V. K. Trediakovskii. In Russian poetry fables were written in free verse that captured the intonation of unconstrained, playful tales. I. A. Krylov’s fables, with their realistic vitality, sober humor, and superb language, marked the flowering of this genre in Russia. In the Ukraine, fables were written by G. Skovoroda, P. P. Gulak-Artemovskii, and L. I. Glebov. During the Soviet period, the fables of Dem’ian Bednyi, S. Mikhajl-kov, F. Krivin, and others became popular.