It originates from a famous Italian painter
Giorgio Morandi whose motive was to create a careful balance of subdued colors and subtle tones.
Inspired by the color palette of famous Italian painter
Giorgio Morandi, this new set of colors is the result of mixing light grey to achieve subdued colors and subtle tones for an overall elegant and peaceful look.
In Milan, the subtle and contemplative still lifes executed by
Giorgio Morandi in the aftermath of World War II found particular favour at Christie's on 3 April, with two small paintings fetching over 1m [euro].
While Biasin linked Montale's poetry, formally and structurally, to modernist art (
Giorgio Morandi) and music (Claude Debussy), Contorbia looked for evidence of Montale's "Catholic modernism" in the poet's diaries and interviews, and in the letters of Montale's sister, Marianna.
What's perhaps most surprising is how the mysterious silence embodied by these late works of Lazzari's--which has more in common with that of
Giorgio Morandi's still lifes than with the clamor of the Futurists or even the industrious bustle of the Bauhaus--feels innately musical.
A few of those from outside Wales are
Giorgio Morandi, Henry Moore, Sean Scully and Sir Anthony Caro.
EXPLORING STILL-LIFE: INSPIRED BY MORANDI Date: Sunday 22 October Time: 10.30am - 4.30pm Venue: Crescent Arts Centre, Belfast This day-long workshop is dedicated to drawing and painting still life, inspired by the work of Italian painter
Giorgio Morandi (1890-1964).
That paragon of still-life painting,
Giorgio Morandi, sheds light on Luz, when we recall the Italian's spindly and fluted bottles, pepper mills and flasks, pitchers and bowls, which, according to American critic Max Kozloff, in a left-handed compliment, have nothing to support except his sensibility-a mode of seeing, a way of touching paint onto canvas, his counterpointed little groupings, a preference for certain colors within a very restricted range.
On the other hand, a striking example of the opposite, i.e., a hedgehog, is the Italian artist
Giorgio Morandi (1890-1964)--the Hermit of Bologna, as he is sometimes called (5, 6).
Words, though imperfect and imprecise, allow Philippe Jaccottet to develop and explore his reactions to the artwork of
Giorgio Morandi. The author deals in paradox as he attempts to illuminate the power of these paintings when he knows that the paintings themselves hold much more meaning than words could ever do, but he hopes to translate the emotive aspect of this bare and stark art.
No campo das artes plasticas podemos imaginar que conhecia, e gostava, da obra de
Giorgio Morandi, artista que teve uma ampla divulgacao no Brasil, principalmente nos anos 1950, quando participou de tres edicoes da Bienal Internacional de Sao Paulo, uma delas com uma mostra retrospectiva.