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Gottfried Keller

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Keller, Gottfried

 

Born July 19, 1819, in Zürich; died there July 15, 1890. Swiss author, writing in German.

Keller studied in Munich at the Academy of Arts from 1840 to 1842. He began his literary career in 1846 as a writer of political verse. During a stay in Germany between 1848 and 1855, he became acquainted with L. Feuerbach’s materialist philosophy, which influenced his outlook. In 1855 he published the novel Green Henry, written in the tradition of the 18th-century Bildungsroman, whose protagonist is an artist who seeks to find his way in the midst of a cruel struggle for existence. A realistic portrayal of bourgeois relations merges with illusions of an idyllic unity of nations. In Zürich he published the collections of novellas The People of Seldwyla (vols. 1–2, 1856–74), Seven Legends (1872), Zürich Novellas (1878), and Epigram (1881).

A true educator, Keller seeks to influence the reader by fostering civic consciousness and a humanistic outlook. In the novellas of his first collection he attacks philistinism. Romantic ardor, vivid imagery, and gentle humor mark his artistic style. The collection Seven Legends, a passionate hymn to life, shows his hatred of religious mysticism. The stories in Zürich Novellas, based on historical material, evoke Swiss customs and society, affirming petit bourgeois democratic ideals. The works of the 1880’s, written during the crisis of Swiss democracy, reveal a narrowing of Keller’s social outlook, for example, Epigram and the novel Martin Salander (1886), depicting life in Switzerland.

WORKS

Sämtliche Werke, vols. 1–8. Berlin, 1958.
In Russian translation:
Novelly. Moscow-Leningrad, 1952.
Zelenyi Genrikh. Moscow, 1958.

REFERENCES

Bannikova, N. P. “Tvorchestvo Gotfrida Kellera i stanovlenie metoda kriticheskogo realizma vo vtoroi polovine XIX veka.” In Literatura Shveitsarii. Moscow, 1969.
Gotfrid Keller: Biobibliograficheskii ukazatel’. Moscow, 1965.
Lukács, G. Gottfried Keller. Berlin, 1947.
Drews, R. G. Keller: Dichter, Politiker und Patriot. Berlin, 1953.
Wiesmann, L. G. Keller. Frauenfeld-Stuttgart, 1967.

E. M. MANDEL’

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive
Writers discussed include Walther von der Vogelweide, Johann Wolfgang von Goethe, Gottfried Keller, Franz Kafka, and Sigfried Lenz, as well as 21st-century novelists Daniel Kehlmann and Christian Kracht.
Otro documento similar es el epistolario de Friedrich Nietzsche (1919) que agrupa las cartas del filosofo con su madre y hermana, con Ricardo Wagner, el Baron de Gersdorff Erwin Rohde, Peter Gast, Federico Ritschl, Paul Deussen, Hugo von Senger, Maria Baumgartner, Carlos Hillebrand, Gottfried Keller, Jacobo Burckhardt, etc.; con quienes comparte sus emociones, sus padecimientos, sus ideas y proyectos.
In this essay Schulte provides an interpretation of Wittgenstein's commentary, presented in Culture and Value, concerning a remark by Jukundus, the protagonist of Gottfried Keller's The Lost Laugh, according to which religion consists in knowing if things are going well for a person.
His topics include Gottfried Keller's Der grune Heinrich, the end of inwardness in Willhelm Raabe's Pfisters Muhle, and the realism of history in Der Stechlin and Vor dem Sturm.
While there Liotard painted in oil one of his most famous portraits, that of Richard Pockocke, now in the Musee d'Art et d'Histoire, Geneva (Gottfried Keller Foundation).
Clemens Brentano's Gypsies are cosmopolitan heroes triumphing over cultural difference in a Romantic utopia, while Gottfried Keller and Wilhelm Raabe display a critical awareness of the harsh reality that confronted Roma and Sinti in their daily lives as targets of persecution in a police state.
As Gottfried Keller pointed out, literature consists of a number of plots that are reworked again and again (p.
Though Johanna Spyri joined a literary society, met Richard Wagner and writer Gottfried Keller, she cared little for city life and fought depression.
Knowles's provocative "Opus Posthumous: James Joyce, Gottfried Keller, Othmar Scho eck, and Samuel Barber" shows how Keller's collection of poems Lebendig Begraben served as a locus of creative energy for Joyce, the Swiss composer Schoeck, and Barber: all these artists participated in the romantic cult of live burial and of the living dead.
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