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Jean Baudrillard

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Baudrillard, Jean

(1929-) French social theorist who, in works such as La Société de consommation (1970) and Simulations (1983), has been influential in POSTMODERNISM. Baudrillard draws particularly on SEMIOLOGY to argue that modern-day consumption in particular entails the ‘active manipulation of SIGNS’, so that in modern society the production of the sign and the commodity have come together to produce the commodity-sign. An endless reduplication of signs, images and SIMULATIONS, launched through the media and elsewhere, in the end effaces all distinction between image and reality. The overproduction of such signs, images and simulations has the effect of producing a ‘loss of stable meaning’, which is advanced as a characteristic of POSTMODERNITY. See also HYPERREALITY.
Collins Dictionary of Sociology, 3rd ed. © HarperCollins Publishers 2000
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Synopsis: The late Jean Baudrillard (27 July 1929-6 March 2007) was a French sociologist, philosopher, cultural theorist, political commentator, and photographer
Intervalo: eu estive proximo de Jean Baudrillard. Tive a sorte de ter com ele encontros em cidades diferentes ou em mesas de bar, onde ele fazia cada interlocutor se sentir brilhante, sendo que brilhante mesmo era so ele.
Cuando Jean Baudrillard proclamo que la modernidad traeria este fin de la historia como la conocemos, muchos intelectuales pusieron el grito en el cielo.
11 attacks, the French philosopher Jean Baudrillard got himself into a bit of mischief by describing the strikes as a kind of ultimate spectacle: "the absolute event, the 'mother' of events, the pure event." He attributed to it a single meaning: "the radicality of the spectacle, the brutality of the spectacle" that succeeded in revealing "a triumphant globalization fighting with itself."
Le sociologue et philosophe Jean Baudrillard a developpe et a elucide sa theorie sur la societe de consommation en ayant trace le rapport de cette societe de consommation avec le Pop art et les mass medias.
Jean Baudrillard em seu estudo sobre os objetos ja em 1968 ja apontava que producao de objetos e tao grande que mesmo aqueles mais inovadores sao rapidamente substituidos por outros (Baudrillard, 2000) num ritmo que nao conseguimos acompanhar.
Articulating similar concerns as Jean Baudrillard, the Franco-Mauritian writer's fiction asserts that the real treasure that we should valorize is life itself, as opposed to a distorted, symbolic representation of it.
Exactly how many degrees such an endeavor is removed from anything resembling serious cinema would require Jean Baudrillard to calculate, yet for more immediate filmgoing purposes, all there is to see here is a surprisingly long-lived gag finally running out of gas.
"I remember at university reading America by Jean Baudrillard, of all people, about the infantilisation of society - it predicted what's happened in cinema.
Le corps est devenu, selon les termes de Jean Baudrillard, un objet de consommation.
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