Turski, Marcin 1995 "
John Barth's playful treatment of history in The sot-weed factor", Studia Anglica Posnaniensia 29: 165-172.
(20.) In the original manuscript draft of The Floating Opera, Todd calls Jarman James "an avid negro-hanger, whom I detested for no particular reason" (
John Barth Papers carton 1, folder ch.
The archetypal modernist work is a failure, perhaps like
John Barth's short story, "Lost in the Funhouse," which (successfully?) depicts the impossibility of writing a successful short story.
Esta se ocupa de comparar el pensamiento paciano con las filosofias posmodernas del mundo anglosajon (
John Barth y Donald Barthelme), y aleman, especialmente de Jurgen Flabermas y se ocupa a veces de la ideologia politica del autor al igual que la siguiente seccion.
When you've got a CEO as willing to jump on an airplane as Johnson Controls'
John Barth, no corner of the world is safe from his inspection.
For, as
John Barth writes in his essay "A Few Words about Minimalism," "There truly are more ways than one to heaven.
This one came not from the pen of
John Barth or Philip Roth or David Foster Wallace, nor from one of our era's preening post-ironists, but from Helen Fielding, creator of the wildly popular Bridget Jones phenomenon.
(1.) In June 2003, at the point of compiling this issue of Diogenes, the same four questions were posed to Denis Sinor, Gay McDougall, Earl Shorris and
John Barth. Their responses are published here as Interludes 1-4.
In other news, the board of directors has elected
John Barth, who serves as president and chief executive officer of the company, to chairman of the board, effective January 1.
Coming Soon!!!,by
John Barth (AtlanticBooks pounds 8.99)
His is a neo-Marxian deconstruction of the dynamic interplay between longing and repression, as manifested in selected novels of Theodore Dreiser, Willa Cather, Nathanael West, Ernest Hemingway, and
John Barth.