Klausner expertly demonstrates the filters through which he interprets this allusion, and he draws on the practices of contemporary
liturgical drama to suggest that Orleton's letter describes a Crucifixion play or tableau, possibly one that received regular performance.
Medieval dance music, a 12th century
liturgical drama, 17th century bawdy English ballads and music for the Spanish court have all been explored.
The volume concludes with an insightful study of the depiction of Jews in the Ordo prophetarum, the
liturgical drama found in the Laon troper (F-LA263).
This work is a
liturgical drama of the three Hebrew youths Ananias, Azarias, Misael and the angel in the fiery furnace, sentenced after refusing to worship the golden statue of King Nabuchodonosor, taken from the Bible's Old Testament.
Methodologically, the volume welcomes insight into eucharistic theology by exploring art,
liturgical drama, architecture, legal decretals, folk feasts, popular piety, and devotional practices.
Vatar, 1860) on the study of
liturgical drama. Coussemaker's conception of
liturgical drama as the precursor for modern drama (p.
In The Mythological Traditions of
Liturgical Drama, the author unearths a trajectory of drama from myths in the ancient and distant locales of the Near East to the early church of the Roman Empire.
In his study, Peter Rogers intends to show that there is a mystere, a
liturgical drama (or mystery play) in Madame Bovary through Flaubert's use of religious tales, topoi, objects, discourses and imagery.
In the session on <<Beauty and Drama: Image, Theology and Liturgy>>, Dr Rosa Bacile spoke on <<Medieval
Liturgical Drama: The Burial Arrangements of King William II and the Passion of Christ mosaics, Monreale Cathedral>>, Professor Elizabeth Parker offered a paper on <<Christ on the Cross in Antelami's Parma Deposition>> and Dr Maigorzata Krasnodcbska-D'Aughton and Dr Edel Bhreathnach spoke together on the topic of <<Piety, pictures and the Passion of Christ: the iconographic programme of Ennis friary>>.
Without the pressure to analyze the so-called
liturgical drama as belonging to any modern category (i.e.
Of particular interest to the readers of this journal will be the essays dedicated to dramatic passions and medieval
liturgical drama. Her three studies of the music in the Cividale Planctus Mariae, the Beauvais Ludus Danielis, and Hildegard of Bingen's Ordo Virtutum, are reprints of already published material, and are probably well-known to scholars of this material.