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Jean-Baptiste Lully

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Lully, Jean-Baptiste

 

(Italian, Giovanni Battista Lulli), Born Nov. 28, 1632, in Florence; died Mar. 22, 1687, in Paris. French composer and the founder of French opera.

The son of an Italian miller, Lully lived in Paris from the age of 14. He studied music under French organists, played the violin in the court orchestra, and composed arias. In 1653, he became court composer. He composed many ballets, collaborating with Moliere in such comédie-ballets as Le Mariage Forcé and Le Bourgeois Gentilhomme. In 1672 he became head of the Paris opera house (Royal Academy of Music) and acquired exclusive rights to produce operas in France. He created the classical lyrical tragedy, a large-scale musical play based on subjects from classical mythology. Among his best operas are Alceste, ou Le Triomphe d’Alcide (1674), Thésée (1675), Atys (1676), and Armide (1686). He also established the form of the French overture.

Publication of the complete works of Lully, edited by H. Prunières, was undertaken in 1930, and by 1939 ten volumes had appeared.

REFERENCES

Asaf’ev, B. V. “Liulli i ego delo.” In the collection De Musica, issue 2. Leningrad, 1926.
Rolland, R. “Zametki o Liulli.” Sobr. soch., vol. 16. Leningrad, 1935
Borrel, E. J.-B. Lully. Paris, 1949.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive
L'Armide di Lulli, "ornamento di Toscana e ristauratore dell'Armonia in Francia" (19), riusci a combinare con grande abilita elementi del dramma classico con il balletto e la tradizione musicale francese.
Morbleu, Mesdemoiselles, disoit Lulli, se servant quelquefois d'un terme moins poli que celui-la, & se levant fougueux de sa chaise: Il n'y a pas comme cela dans votre papier, & ventrebleu, point de broderie; mon Recitatif n'est fait que pour parler, je veux qu'il soit tout uni."
(42.) Santini SA, Carrozza C, Vulpio C, Capoluongo E, Luciani G, Lulli P, et al.
Sperandio, S.; Lulli, V.; Bacci, M.L.; Forni, M.; Maione, B.; Spadafora, C.
Mais MIGNARD est MIGNARD, LULLI est LULLI est CORNEILLE est CORNEILLE" (120).
BEGINNING OCTOBER 3, 2003, the Gallery at the American Bible Society in New York City showcases sixty-six of the most exceptional of the devotional works from the collection of Antonio Fernando Lulli, including retablos (table-top altars), santos (carved-wood figures of saints), sculptures, and carved gourds.
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