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Muses

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Muses

(Rom. Camanae) goddesses who presided over the arts. [Gk. Myth.: Howe, 172]
See: Music
Allusions—Cultural, Literary, Biblical, and Historical: A Thematic Dictionary. Copyright 2008 The Gale Group, Inc. All rights reserved.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Muses

 

in ancient Greek mythology the daughters of Zeus and Mnemosyne; goddesses who were patronesses of the realms of human spiritual activity, including poetry, art, and the sciences. It was thought that the Muses inspired poets and artists; hence the frequent invocations to them at the beginning of works of ancient poetry. Centers for the worship of the Muses included Pieria near Mount Olympus, Mount Helicon with the spring at Hippocrene, and Delphi (at the foot of Mount Parnassus) with the Castalian Spring. The association with springs indicates that initially the Muses were worshiped as fertility goddesses.

The names of the nine Muses were first given in Hesiod’s Theogony (seventh century B.C.). However, specific realms of art and science were assigned to them only in late antiquity. It was thought that the Muse Euterpe patronized lyric poetry; Clio, history; Thalia, comedy; Melpomene, tragedy; Terpsichore, dance; Erato, erotic poetry; Polyhymnia, hymns; Urania, astronomy; and Calliope, epic poetry. The Muses were represented in European painting (Botticelli, Tintoretto, Tiepolo), and the names of some of them are used as synonyms for the different arts—for example, Terpsichore is used to mean “ballet.”

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive
Gregory, Milton and the Muses (Tuscaloosa: University of Alabama Press, 1989), p.
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The distinction between doxophilia and philosophia is important for understanding Plato's view of inspiration: the madness of those possessed by the muses (Phaedrus 245A).
The chief flaw of Suzanne Farrell: Elusive Muse, however, is its title.
It is fitting to end this discussion of the documentation for the pictorial decorations of Francesco II's residence at Gonzaga with a discussion of the muses who clearly did not migrate to Mantua solely on Isabella d'Este's command.
Individual Muses eventually were assigned to the different arts and sciences, especially in Roman times.
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Work Title: Cheers to Muses: Contemporary Works by Asian American Women
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