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pastiche

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pastiche

, pasticcio
1. a work of art that mixes styles, materials, etc.
2. a work of art that imitates the style of another artist or period
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005

Pastiche

Inappropriate architectural ornament added after the original work is completed.
Illustrated Dictionary of Architecture Copyright © 2012, 2002, 1998 by The McGraw-Hill Companies, Inc. All rights reserved

pastiche

the mixing of styles and genres which is characteristic of postmodern cultural forms (e.g. in architecture).
Collins Dictionary of Sociology, 3rd ed. © HarperCollins Publishers 2000

pastiche

A mixture of materials, forms, motifs, and/or styles; often incongruous.
McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Pastiche

 

(pasticcio), an opera in which the music (arias, duets, and so forth) is borrowed from various popular operas and provided with a new libretto, or in which the music is created by two or more composers, each of whom, as a rule, writes one act. The pastiche was popular in 18th-century Italy. The term is also applied to other musical works created by two or more composers, especially variations.

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive
Does this pasticcio challenge our perceptions about celebrity and art?
Bank, Laila Rowe, Les Shoes Elysees, Manor Oktoberfest, Marmi, [M.sup.12] Thirty One, New York Sports Club, Orange, Pasticcio, Precise Optique, Regal Cinemas, Rosetta Wine, Shiro of Japan, Starbucks.
The next foreign venue where Denzio's company had appeared was Regensburg in Bavaria, where in 1733 the Prague opera performed two titles: Filindo and 11 Condannato Innocente (in both cases pasticcios compiled by the company's impresario).
(43.) In the eighteenth century, the number of multiple-composer operas performed in public opera houses far exceeded that of single-composer operas; a 1694 pasticcio from Milan named twenty-seven different composers.
The term appeared first in the terminology of painting and its source was the Italian word pasticcio, translated into English as 'paste'.
Bulk buying of tickets for performances at other theaters was one, a practice considered legitimate when employed to honor a particular performer on a benefit night.(63) Women organized assemblies or balls at their homes or public facilities.(64) Promoting productions was another ploy; examples include Francesco Geminiani's pasticcio L'inconstanza delusa (performed February--April 1745) and Russell's puppet show.(65) Handel, knowing there would be no opera season in 1744-45, planned an ambitious oratorio season, which, in the event, lasted from 3 November to 23 April.
He throws light on many nuances in the latter and on a few arias, but offers no estimate of the opera as a whole, which is largely a pasticcio containing many borrowed arias, and sums up with the throw-away conclusion: 'If [Vivaldi] was interested in the drama at all, he certainly trusted his music more than Zeno's words to express it'.
(8) Referring to the pasticcio, where pre-existing arias by various composers are assembled and adapted to a libretto; new recitative is usually written to provide continuity between the arias.
PASTICHE, PASTICCIO. An imitation or forgery which consists of a number of motives taken from several genuine works by any one artist recombined in such a way as to give the impression of being an independent original creation by that artist.
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