Does this
pasticcio challenge our perceptions about celebrity and art?
Bank, Laila Rowe, Les Shoes Elysees, Manor Oktoberfest, Marmi, [M.sup.12] Thirty One, New York Sports Club, Orange,
Pasticcio, Precise Optique, Regal Cinemas, Rosetta Wine, Shiro of Japan, Starbucks.
The next foreign venue where Denzio's company had appeared was Regensburg in Bavaria, where in 1733 the Prague opera performed two titles: Filindo and 11 Condannato Innocente (in both cases
pasticcios compiled by the company's impresario).
(43.) In the eighteenth century, the number of multiple-composer operas performed in public opera houses far exceeded that of single-composer operas; a 1694
pasticcio from Milan named twenty-seven different composers.
The term appeared first in the terminology of painting and its source was the Italian word
pasticcio, translated into English as 'paste'.
Bulk buying of tickets for performances at other theaters was one, a practice considered legitimate when employed to honor a particular performer on a benefit night.(63) Women organized assemblies or balls at their homes or public facilities.(64) Promoting productions was another ploy; examples include Francesco Geminiani's
pasticcio L'inconstanza delusa (performed February--April 1745) and Russell's puppet show.(65) Handel, knowing there would be no opera season in 1744-45, planned an ambitious oratorio season, which, in the event, lasted from 3 November to 23 April.
He throws light on many nuances in the latter and on a few arias, but offers no estimate of the opera as a whole, which is largely a
pasticcio containing many borrowed arias, and sums up with the throw-away conclusion: 'If [Vivaldi] was interested in the drama at all, he certainly trusted his music more than Zeno's words to express it'.
(8) Referring to the
pasticcio, where pre-existing arias by various composers are assembled and adapted to a libretto; new recitative is usually written to provide continuity between the arias.
PASTICHE,
PASTICCIO. An imitation or forgery which consists of a number of motives taken from several genuine works by any one artist recombined in such a way as to give the impression of being an independent original creation by that artist.