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Rapping

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Rapping; Raps

(religion, spiritualism, and occult)

In the chronicle Rudolph of Fulda, dated 858 CE, there is described a spirit rapping of the type experienced by the Fox Family in Hydesville in 1848. Elder C. Blinn, in Spiritualism Among the Shakers, describes rappings in an influx of spirit manifestations with the Shakers between 1837 and 1844. Rappings or tappings were also heard as early as 1661 in the case of the Drummer of Tedworth; these were sharp and loud taps on furniture and on the walls. The phenomena of raps on walls, windows, roofs, and furniture are usually accompanied by other poltergeist occurrences, though not in every instance. Such rappings are sometimes sharp but just as often heard as dull thumps or as loud bangs.

The case of the infamous “Cock Lane Ghost” in Smithfield, London, in 1762–1764, involved rappings like those at the Fox Cottage, that were used to spell out messages involving an accusation of murder. In the case of the Cock Lane ghost, however, it eventually came to light that the sounds were produced by Elizabeth Parsons, the twelve-year-old daughter of a parish clerk named Parsons. She faked the noises at the instigation of her father in order to persecute a stockbroker named Kent, to whom Parsons owed money. Eventually, after investigation by such notables as Dr. Samuel Johnson and the Bishop of Salisbury, Parsons was taken to trial, found guilty, and sent to prison. However, the interesting point in the case was that the rappings—fraudulent though they were—were used as a means of communicating with the supposed spirit in order to get information (in this case leading to a false charge of murder). Such an exchange was not to be known again until 1848 and the “conversations” between the Fox Sisters and Charles B. Rosna, the murdered peddler. The rappings in the Fox Cottage at Hydesville helped launch the Modern Spiritualist movement and such rappings play a part in many séances today.

Sources:

Fodor, Nandor: Encyclopedia of Psychic Science. London: Arthurs Press, 1933
Guiley, Rosemary Ellen: The Encyclopedia of Ghosts and Spirits. New York: Facts On File, 1992
Grant, Douglas: The Cock Lane Ghost. New York: St. Martin’s Press, 1965
The Spirit Book © 2006 Visible Ink Press®. All rights reserved.
Mentioned in
References in classic literature
A third more violent Rap than ever again assaulted our ears.
The stick, with a single sharp rap of it, had effected the change.
She sometimes endeavoured for a few minutes to read; but the book was soon thrown aside, and she returned to the more interesting employment of walking backwards and forwards across the room, pausing for a moment whenever she came to the window, in hopes of distinguishing the long-expected rap.
With this final sentence, Bartle Massey gave a sharper rap than ever with his knobbed stick, and the discomfited lads got up to go with a sulky look.
But towards the close, the raps became so sharp and frequent, and his voice so quarrelsome, that Vixen felt it incumbent on her to jump out of the hamper and bark vaguely.
Now, it's fair to say opinion is mixed about the Anfield Rap. One writer (from London) has described it as "the worst football song ever recorded", while another (from London) suggested the sheer shame of it sparked the Reds' decline from regular League winners to mere contenders for fourth place.
The Bajirao Mastani actor whose stardom cuts across demographics and regions has been credited with bringing niche rap or hip hop music from the streets of the country and turn it into mainstream.
Release date- 20082019 - CSafe Global, the innovation leader in active temperature-controlled container solutions for the transport of life-enhancing pharmaceuticals, is pleased to announce that Lufthansa Cargo is the latest airline to qualify and approve the CSafe RAP for flight
But speaking to Sammy Flex on Zylofon FM's 'Showbiz Agenda' on Tuesday, he said his new chosen path of music departs from the characteristics of rap songs that are usually selected for that category.
Talking about the song, Gloc says: 'Goodbye song ko ito sa rap na ginawan ko ng kwento na parang relationship sa isang babae.
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