However, the 35mm release print is big business for film stock manufacturers and "whilst the actual sales figures remain trade secrets, it is fairly safe to assume that the bulk of their trade comes from 35mm release prints, not origination stock" (Crofts, "Digital Decay" 24).
Without having a blanket digital infrastructure digital distribution is impossible, as distributors still have to operate with both 35mm film release prints and Digital Cinema Distribution Masters (DCDMs).
Word is both versions will play at Berlin, but
release prints are being negotiated.
Some pirated copies are camcorded off a projection screen, but the timecode on the "Sith" copy is something that's never seen on
release prints.
Current film projectors aren't built to accommodate higher frame rates, and
release prints would be too bulky and expensive if they used, say, twice as much film as they do now.
From the days of the earliest silent features, studios and filmmakers have trusted Deluxe with their camera negatives and relied on the company to strike and distribute their release prints.
The company has deals with Fox, Paramount, Sony, MGM, Miramax and New Line to strike release prints, and its physical transport company, Entertainment Transportation Specialists, ships prints to theaters for Fox, Paramount, Warner Bros., Miramax and New Line.
But digital technology continues to pervade the distribution chain for theatrical release prints. In recognition of this trend, the company in 2004 acquired a 100% stake in Efilm, a joint venture it had started with Panavision to develop digital intermediate and source master technology.
Entertainment Transportation Specialists then follows release prints from their creation, to their reception at one of 28 distribution depots nationwide, through their screening at a specific theater and, finally, back to the depots for destruction or repurposing.
The FCT program was first unveiled by Deluxe Labs in Hollywood several years ago for theatrical
release prints.
Atlab has avoided the need for layoffs by handling
release prints for U.S.
Some of the dialect, though pared to the bone, is so authentic that Italian subtitles are used on local
release prints.