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Skanderbeg

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Skanderbeg

 

(also Scanderbeg; pseudonym of George Kas-trioti). Born circa 1405; died Jan. 17, 1468. Leader of the Albanian struggle for liberation from the Ottoman conquerors. National hero of Albania.

Skanderbeg came from the influential Kastrioti (Castriota) family, a line of feudal princes. As a child he was given as hostage to the Turkish sultan Murad II; he later served in the sultan’s army. For his skill as a military commander he received the title of bey, and in honor of Alexander the Great, the name Iskender; hence Iskender-bey, or, in an altered pronunciation, Skanderbeg.

Gradually, Skanderbeg prepared for a struggle against the sultan, maintaining relations with the sultan’s domestic and foreign enemies and carrying on negotiations with J. Hunyadi. After the Hungarian army defeated the sultan’s troops in a battle near Niš on Nov. 3, 1443, he left the Turkish camp with a cavalry detachment of 300 and arrived in Dibra. Relying upon the free peasantry, who supported his call for an anti-Turkish liberation struggle, he began a campaign to drive the Turks from Albania. Within a few days he entered Kruja and on November 28 was proclaimed ruler of Kastrioti Principality. Skanderbeg drove the Turkish garrisons out of the fortresses of Pe-trela, Petralba, Steliushi, Torchan, and Svetigrad. He undertook to unify the Albanian feudal lords and within the standing army formed a people’s volunteer corps consisting primarily of peasants. Under Skanderbeg’s leadership, the Albanian people in the course of 24 years repulsed the attempts by the Ottoman conquerors to restore their rule. An extraordinarily gifted statesman, Skanderbeg overcame great domestic and foreign political difficulties caused by the separatist tendencies of the Albanian feudal lords and by the mercenary policies of Venice and the papacy. He died in Lezha. The People’s Republic of Albania has established the Order of Skanderbeg.

REFERENCE

Georgi Kastrioti-Skenderbeg, 1468-1968. Sofia, 1970. [23–1464–]
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive
In a recent article, David McInnis persuasively suggests that Oxford's players' George Scanderbeg may have represented yet another attempt by a rival company to capitalize on the success of Tamburlaine.
Unlike German broadsides and Russian manuscripts that we may safely suppose would have been inaccessible, Bonfinius was apparently known to some English writers in the sixteenth century: even if one is sceptical about Marlowe's familiarity, Bonfinius's name appears cited in Of the Russe Common Wealth by Giles Fletcher (London, 1591) and as one of the historical authorities in the aforementioned Historie of George Castriot, Surnamed Scanderbeg (London, 1596).
The fourteen lines of the Scanderbeg exemplum revolve around verse 193 which divides the episode into two equal parts, the hero's abduction and indoctrination (187-92) and his rebellion (194-200):
Ainsy de Scanderbeg l'enfance fut ravie Soubs de tels precepteurs, sa nature asservie En un serail coquin de delices friand, Il huma pour son laict la grandeur d'Orient, Par la voix des muphtis on emplit ses oreilles Des faicts de Mahomet, et miracles de vieilles: Mais le bon sang vainquit l'illusion des sens ...
Embarrassed by his failure, Bevilacqua sees his further attempts to "honor" their culture derided when he is criticized and booed at the christening of a bronze statue representing the Arberesh hero, Scanderbeg, in the town's main square.
La moto di Scanderbeg, Abate's 1999 novel, is simpler in plot but more complex in its presentation.
The glorification of Scanderbeg as the national hero of the Albanians epitomizes this shift from religion to ethnicity.
128ff.), and his exploits were celebrated in books and a lost play finished by Dekker and Chettle in May 1601.(17) A lost play about George Scanderbeg, entered in the Stationers' Register in July 1601, may be even more relevant: Scanderbeg, a renegade Christian, led Turkish armies against Christians, and Othello could have been written as a counter-attraction, with a Moor starring as a Christian general against the Turks.
This article will explore this dynamic in Book V of The Faerie Queene and Christopher Marlowe's Tamburlaine, with a glance at the historical hybrid hero Scanderbeg's role in the English literary imagination.
E penso per esempio a uno scrittore come Carmine Abate, che elabora letterariamente, e con libri di successo, la propria identita linguistica arberesh con Il ballo tondo, La moto di Scanderbeg, La festa del ritorno e Il mosaico del tempo grande.
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