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Attila the Hun

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Attila the Hun

(religion, spiritualism, and occult)

Christians in the fifth century called Attila, war leader of the Huns, "the Scourge of God." He has become an almost mythical figure. Richard Wagner was so taken with the warrior's exploits that his famous opera cycle, The Ring of the Nibelung, was based on the story of Attila's battle with the Burgundian king, Gundahar, along with other historical figures like Queen Brynhild.

Attila invaded Italy in 452 CE. When the city of Aquileia fell to his army, the road was open all the way to Rome. The empire was by this time divided into West (governed by Rome) and East (governed by Constantinople). The Roman West was weak, both in character and in military strength. The Eastern empire left no doubt that they did not want to intervene. So Leo "the Great," who has been called the first pope in the modern sense, went to talk to Attila personally.

One of history's mysteries occurred at that meeting. No one knows what was said between the two leaders. Legends later reported that Attila had a vision of Saints Peter and Paul marching with the pope. Whatever he saw, Attila decided not to attack Rome. He turned north instead and died shortly thereafter.

Leo was still Bishop of Rome when Vandals attacked in 455. He was unable to prevent the sacking of the city. But he was able to arrange a treaty with them, so at least the city was not burned to the ground.

Such negotiations helped Leo's reputation and gave him great political and spiritual clout. Lost to history is the substance of the sermon that made Attila, "the Scourge of God," see the light.

The Religion Book: Places, Prophets, Saints, and Seers © 2004 Visible Ink Press®. All rights reserved.
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References in periodicals archive
Frederick's use of the word "scourge" subtly recalls Tamburlaine's title as the "scourge of God," a designation repeatedly used to justify his acts of cruelty and conquest.
Even if Tamburlaine's ties to the Christian God are implied in his title "scourge of God," they are never explicitly confirmed.
Marlowe attempts to locate more bloodydrenched words and expressions to portray Tamburlaine as an image of "the Scourge of God" to Muslims in particular and other religions in general.
The expression of "the scourge of God" is a Marlovian phrase for the counteraction of aggressive forces persists in Tamburlaine.
464-68) For Tamburlaine, the whole world, including the underworld, is a battlefield where he is glorious and respected as a scourge of God:
Both protagonists claim divine approval for their actions, Caesar declaring that he enjoys Fortune's favour and Tamburlaine calling himself the 'scourge of God'.
"The scourge of God," cried the feverish monk emotionally, beginning to preach a sermon.
Attila the Hun: one assumes that at the time there were rivals such as Attila the Welshman, Attila the Alaskan, perhaps - and Attila wanted to be clear that he was boss of his Germanic tribe and a Scourge of God good and proper, not some sissy from Cardiff or Anchorage.
Does this "wild beast" of a play truly contain a character who is the scourge of God, as Roy Battenhouse argued in his Marlowe's Tamburlaine: A Study in Renaissance Moral Philosophy (1941), or does he represent a view of history that is utterly nihilistic, not only lacking in the destiny claimed for the Tudor dynasty but also for the historical process in itself?
His father calls him 'Scourge of God junior', which always makes us laugh.
Senator Robert Dole called him a "drum major for justice and peace," and an unidentified woman on the radio called him "the scourge of God." If you listened tothe network commentators, you would think that King's strategy of non-violent protest consisted only of singing and marching and sitting down on the ground.
1587) had popularized in his portrayal of the notorious Scythian shepherd become emperor the biblical Scourge of God, that is, a ruler of terrible cruelty with a fearsome capacity for violence like the Assyrian chronicled by Isaiah (10:5-12).
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