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Simplicissimus

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Simplicissimus

from callowness to audacity on 17th-century battlefields. [Ger. Lit.: Simplicissimus]
Allusions—Cultural, Literary, Biblical, and Historical: A Thematic Dictionary. Copyright 2008 The Gale Group, Inc. All rights reserved.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Simplicissimus

 

(Most Guileless), a German illustrated weekly journal, founded in 1896.

Simplicissimus’ approach was keenly satirical; the journal denounced imperial Germany and its aggressive foreign policy. Simplicissimus printed lampoons by F. Wedekind and works by H. Mann, K. Tucholsky, H. Hesse, A. Zweig, and A. Schnitzler. Another effective weapon utilized by the journal was its political caricatures, which were later frequently reprinted in Die Rote Fahne, the organ of the Communist Party of Germany.

Early in World War I (1914-18) Simplicissimus took a defensive position and advocated peace among classes. In 1942 the journal was closed down for printing a caricature of Hitler. An attempt to revive Simplicissimus in the Federal Republic of Germany did not succeed.

REFERENCES

Istoriia nemetskoi literatury, vol. 4. Moscow, 1968. Pages 307, 312, 313, 447,460.
Jegorov, O. “Die satirische Zeitschrift ‘Simplicissimus’: 1896-1914.” Junge Kunst, Berlin, 1960, no. 11.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive
(113) The stylistic similarities of Hope's cartoons to those of the Munich based periodical, Simplicissimus, had been noted by contemporary commentators.
Picking up the cutting views expressed abroad, the famous liberal humor magazine Simplicissimus published a cartoon that summed up the mockery William II had made of himself.
The German magazine Simplicissimus in its 70-year existence saw cartoonists jailed and fined for ridiculing figures from Kaiser Wilhelm to church leaders, Nazi grandees and communists.
Castelao practica la caricatura sintesis, de linea, de fuerte pegada modernista, puesta de moda en toda Europa por la revista alemana Simplicissimus, en la que colaboraron caricaturistas como el noruego Olaf Gulbransson (1873-1958) o el germano George Grosz (1893-1959).
Ese mismo ano tiene el honor de ser reclamado para colaborar con la gran revista de Munich Simplicissimus, la misma ciudad y revista que tanto influyeron en su formacion juvenil.
Readers less familiar with baroque literature will welcome the introductory chapter on the literary contexts of the novels and their place within the book market of the early modern period, the reading habits during that era, and the relationship to the German novel in the seventeenth century, especially in the aftermath of Grimmelshausen's successful work Simplicius Simplicissimus.
However, the description of Pseudomonas as "false unit" does not make much sense, and an alternative explanation posits that Migula "had not traced directly the Greek ancestry of the name, but had simply created the name Pseudomonas for the resemblance of the cells to those of the nanoflagellate Monas in both size and active motility." Monas was coined by Danish naturist Otto Friedrich Muller in 1773 to describe a genus of "infusoria" characterized as "vermis inconspicuous, simplicissimus, pellucidus, punctiformis" ("inconspicuous worm, simple, transparent, tiny").
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