The book unfolds in themes: each chapter can stand alone as an essay on some aspect of caving--the "squeeze," cave conservation, and derichment. The last is Hurd's own term for how the mind works when it undergoes subtraction and absence.
Her brightest moments come in chapters six, in which she dwells on the beauty of cave formations, and nine, which ruminates on derichment. In practically the same stroke, however, she is prone to what I would term metaphors-gone-mad, by which I mean, carrying on too far and for too long on subjects for which shorter, succinct descriptions would suffice.