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silhouette

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silhouette

an outline drawing filled in with black, often a profile portrait cut out of black paper and mounted on a light ground
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Silhouette

 

(from the French controller general of finances E. de Silhouette [1709–67], of whom a caricature was drawn in the form of a shadowy profile), in the broad sense, the characteristic outline of an object in either nature or art, similar to the object’s shadow. In the narrow sense, the silhouette is a technique in graphic art by which a flat monochrome representation of figures and objects is produced. Drawn with india ink or white pigment or cut out of paper and pasted onto a background, a silhouette forms a continuous bounded contour, that is, a dark or light area, on a contrasting background.

The art of silhouette has been known since ancient times in China (where it has long preserved its traditions), Japan, and other Asian countries. It has been popular in Europe since the 18th century. Profile portraits, domestic scenes, illustrations, and still lifes were the favorite genres, as seen in the silhouettes by P. O. Runge, A. von Menzel, and P. Konewka in Germany and by F. P. Tolstoi, E. M. Bem, and G. I. Narbut in Russia. In more recent times, the method has been employed by E. S. Kru-glikova, N. V. Il’in, and other artists.

REFERENCE

Kuznetsova, E. Iskusstvo silueta. [Leningrad, 1970.]
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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References in periodicals archive
Then the human-sized silhouetted images should be placed on walls, trees, or around monuments in order to create a "striking" visual impact.
(1) Second, the Madres did not want the participants to write any name or date or put a picture on the silhouetted images.
Rauch's starkly silhouetted, oversize figures, and the vertiginous, stagelike spaces they occupy, owe a debt to Giotto (whose frescoes, seen on a trip to Italy after the reunification of Germany, deeply impressed him).
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In the second section, "Fu Fu," the silhouetted prologue shows a young child retrieving a large brimmed hat for a man.
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