spider
1. any predatory silk-producing arachnid of the order Araneae, having four pairs of legs and a rounded unsegmented body consisting of abdomen and cephalothorax
2. any of various similar or related arachnids
3. a hub fitted with radiating spokes or arms that serve to transmit power or support a load
4. any implement or tool having the shape of a spider
5. Nautical a metal frame fitted at the base of a mast to which halyards are tied when not in use
6. Brit a cluster of elastic straps fastened at a central point and used to hold a load on a car rack, motorcycle, etc.
7. Billiards Snooker a rest having long legs, used to raise the cue above the level of the height of the ball
8. Angling an artificial fly tied with a hackle and no wings, perhaps originally thought to imitate a spider
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005
Spider
(pop culture)Beginning in 1931, the Spider, a character created by author Grant Stockbridge (pseudonym of Norvell Page), emerged as one of the most popular heroes of pulp magazine fiction. Two years later, his popular adventures supported the formation of a monthly magazine, The Spider, with episodes that would be gathered at a later date and reissued in books. The Spider dedicated itself to the task of killing criminals and worked as a vigilante outside of the law and public approval. In 1935, on the heels of the popularity of Bela Lugosi‘s Dracula (1931), the Spider encountered one of its most horrendous foes, the Vampire King, and began the process of destroying this evil royalty.
The Spider was the secret identity of wealthy businessman Richard Wentworth. After donning a free-flowing uniform complete with hood and cape, a bullet-proof vest, false teeth, and mask, Wentworth turned into a crime fighter on the streets of New York City. The Spider’s major assets were agility, intelligence, and determination. It was strong and acquitted itself quite well in hand-to-hand fighting. Its major weapon, above and beyond normal weapons like handguns, was a gun that squirted a gooey liquid that formed a web, entrapping its target. Unlike modern superheroes, the Spider had no supernormal powers. It did have a sidekick, Ram Singh from India, who served as his ultimate back-up system.
The Vampire King, the 1930s equivalent of the super villain, was a monster from South America. It is modelled not on the European vampire, but on the camazotz, the Mayan bat god/demon who made its most memorable appearance in the ancient text, Popol Vuh. It appeared as a large bat-man with exaggerated and somewhat grotesque features, including huge ears, wings, and claw-like hands with slender, elongated fingers. It did not possess supernatural powers and could not, for example, change his outward form. It was adept at flying and had great physical strength. The Vampire King’s greatest asset, however, was the control over a large flock of vampire bats, which he could command to attack. Two South American natives accompanied him and used poisonous darts. Two huge half man/half animal monsters also accompanied him—a pig-man and an armadillo-man.
The final confrontation between the Spider and the Vampire King occurred after the Spider’s capture. While the Vampire King conversed with the crime bosses to negotiate control of their North American enterprises, it drank the Spider’s blood, which had been drained into a chalice. The Vampire King offered the criminals a sip as a means of sealing their evil pact. The Spider recovered just in time and his comrades appeared to assist it. The fight that ensued led to the Vampire King’s destruction.
The Spider was brought to the screen in several Saturday matinee serials of the 1930s, but the Vampire King was not among its movie foes. Although a major source for contemporary superheroes, and seemingly a direct inspiration for Spiderman, the Spider was all but forgotten except with a few movie buffs, when, in 1991, he was revived by Eclipse Books in a new comic book series.
Sources:
Harmon, Jim, and Donald F. Glut. The Great Movie Serials: Their Sound and Fury. Garden City, NY: Doubleday & Company, 1972. 384 pp.
The Spider: Reign of the Vampire King. 1–3. Forestville, CA: Eclipse Books, 1991–1992.
Stockbridge, Grant. Death Reign of the Vampire King: a Spider Novel. London: Mews Books, 1935, 1976. 128 pp. Rept. New York: Carroll & Graf, 1992. 319 pp.
The Vampire Book, Second Edition © 2011 Visible Ink Press®. All rights reserved.
spider
[′spīd·ər] (agriculture)
An attachment to a cultivator that pulverizes the soil.
(computer science)
A program that searches the Internet for new, publicly accessible resources and transmits its findings to a database that is accessible to search engines.
(electricity)
A structure on the shaft of an electric rotating machine that supports the core or poles of the rotor, consisting of a hub, spokes, and rim, or some similar arrangement.
(engineering)
The part of an ejector mechanism which operates ejector pins in a molding press.
In extrusion, the membranes which support a mandrel within the head-die assembly.
(engineering acoustics)
A highly flexible perforated or corrugated disk used to center the voice coil of a dynamic loudspeaker with respect to the pole piece without appreciably hindering in-and-out motion of the voice coil and its attached diaphragm.
(invertebrate zoology)
The common name for arachnids comprising the order Araneida.
(mechanical engineering)
In a universal joint, a part with four projections that is pivoted between the forked ends of two shafts and transmits motion between the shafts. Also known as cross.
(metallurgy)
In founding, a device that consists of a frame with radiating arms or members and is used for strengthening a core or mold.
(petroleum engineering)
A steel block with a tapered opening which permits passage of pipe during movement into or from a well; designed to hold pipe suspended in the well when the slips are placed in the tapered opening and in contact with the pipe.
McGraw-Hill Dictionary of Scientific & Technical Terms, 6E, Copyright © 2003 by The McGraw-Hill Companies, Inc.
Spider
(dreams)Some believe that the spider is symbolic of an unkind and sneaky individual. Are you the spider building a web, or are you being dragged into one? A spider’s web may represent entanglement and the general complexities of life. Depending on the details of the dream, it could also symbolize a smothering individual. Ironically, very old dream interpretations say that the spider is an omen of good luck! Alternatively, Carl Jung felt that the spider’s web was a symbol of wholeness due to its formation (circular shape), construction, and complexity. As a “mandala, ” the spider web might hold valuable meaning for the dreamer, and symbolize an integration of the dreamer’s personality, leading to greater self-awareness and resulting in feelings of completeness. Therefore, the spider and his web may be considered profound and spiritual dream symbols that call for greater selfunderstanding and encourage us to derive meaning and satisfaction from the intricate framework and interplay of life.
Bedside Dream Dictionary by Silvana Amar Copyright © 2007 by Skyhorse Publishing, Inc.