The next thing to look forward to was Tennyson's and Browning's first books in 1833, which means that by then wholeness of poetical vision had disintegrated into the cultivation of sensation, and emotional
tensity into sensuality.
He states that we label the similar experience in our civilized culture as an abaissement du niveau mental, and describes it as "a slackening of the
tensity of consciousness, which might be compared to a low barometric reading, presaging bad weather.
The latter was offensive because, as Anna Ilupina explained, "our people consider any psychological overstrain or nervous
tensity incompatible with the radiant and elevated art of ballet." With its goons, drunken living, and lascivious sex, it was also seen as a protrait of "bourgeois decadence." (The same view-point had been responsible for the banning of Billy the Kid and Fall River Legend on the American Ballet Theatre Soviet tour of 1960.) La Sonnambula, a huge audience favorite, fared better; it was "expressive," noted I.
Jung described the condition "loss of soul" as "a slackening of the
tensity of consciousness, which might be compared to a low barometric reading, presaging bad weather.