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Antiphon
(redirected from antiphony)

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antiphon, in liturgical music

antiphon (ăn`tĭfən), in Roman Catholic liturgical music, generally a short text sung before and after a psalm or canticle. The main use is in group singing of the Divine Office in a monastery. However, the sung introit, offertory, and communion verses of the Mass are also antiphons, whose psalms have for the most part disappeared. Certain festival chants, sung preparatory to the Mass itself, are called antiphons. There are also the four antiphons of the Blessed Virgin Mary, which are in the nature of office hymns and are sung by alternating choirs (i.e., antiphonally), each one belonging to a certain portion of the year. The best known of these is Salve Regina, of whose text there are many polyphonic settings. Modern antiphons are set to composed music rather than plainsong plainsong or plainchant, the unharmonized chant of the medieval Christian liturgies in Europe and the Middle East; usually synonymous with Gregorian chant, the liturgical music of the Roman Catholic Church.
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. These are independent choral works for which the English term anthem anthem [ultimately from antiphon ], short nonliturgical choral composition used in Protestant services, usually accompanied and having an English text. The term is used in a broader sense for "national anthems" and for the Latin motets still used occasionally in
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 was derived from antiphon.

Antiphon, Athenian orator

Antiphon (ăn`tĭfŏn, –fən), c.479–411 B.C., Athenian orator. He rarely spoke in public but wrote defenses for others to speak. Of his 15 extant orations 3 were for use in court, the rest probably for the instruction of his pupils. A few fragments of other speeches survive. Antiphon did much to advance Attic prose writing. His position in politics was with the conservative aristocrats, and he was instrumental in setting up the Four Hundred in 411 B.C. When they fell, Antiphon was among the first to be executed before Alcibiades Alcibiades (ălsĭbī`ədēz), c.450–404 B.C., Athenian statesman and general.
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 returned.

Bibliography

See R. K. Sprague, The Older Sophists (1972); Antiphon and Lysias (tr. by M. Edwards and S. Usher, 1985).


Antiphon

(flourished c. 480–411 BC) Orator and statesman. The first Athenian known to practice rhetoric professionally, he wrote speeches for others to give in court but was reluctant to appear in public debate. He may have instigated the revolution of the oligarchic Council of the Four Hundred, an attempt to seize the Athenian government in the midst of war. When the oligarchy fell, he defended his role in the overthrow in a speech called by Thucydides the greatest defense ever made, but he was nonetheless executed for treason.


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If my work is faithfully to reflect the aesthetic tradition of Afro-American culture, it must make conscious use of the characteristics of its art forms and translate them into print: antiphony, the group nature of art, its functionality, its improvisational nature, its relationship to audience performance, the critical voice which upholds tradition and communal values and which also provides occasion for an individual to transcend and/or defy group restrictions.
We use the word differently, but clearly do we see that the old sense leads commonsensically to the new, and the antiphony thus set off between the two enriches the word for us today.
He shows that "throughout the centuries of slavery and long after emancipation their song style, with its over-riding antiphony, its group nature, its pervasive functionality, its improvisational character, and its strong relationship in performance to dance and bodily movement and expression, remained closer to the musical styles of West Africa and the Afro-American music of the West Indies and South America than to the musical style of Western Europe.
 
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