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Arcade |
Also found in: Dictionary/thesaurus, Medical, Wikipedia, Hutchinson | 0.06 sec. |
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arcade, series of arches supported by columns or piers. An arcade may stand free; if it is attached to a wall it is called a wall arcade or a blind arcade. The earliest-known arcades were in Roman architecture, in which piers, ornamented with engaged columns carrying an entablature, formed the arch supports. However, in Diocletian's palace at Spalato there are arches supported by columns and resting directly upon their capitals, of the type that was given full development in Romanesque and Gothic architecture. In the early Christian basilica, columnar arcades separated the nave and side aisles and supported the wall of the clerestory. From this beginning the rich system of bays used in Romanesque and Gothic church interiors was developed, in which lofty arcades extended the full length of the nave. Both freestanding and blind arcades were used in Romanesque facades (notably in N Italy) and in the west fronts of English and French Gothic cathedrals, where the arches were often filled with statues of saints. Richly designed arcades surrounded the enclosed cloisters of the medieval and Renaissance monasteries; they were similarly used in the courts of houses in Italy and Spain and in the courtyards of Islamic mosques. The Romanesque structures of Spain, Sicily, and S Italy made frequent use of arcades composed of interlacing arches, in which the arch rings overlap to alternate columns or piers. Continuous arcades, extending over sidewalks, are common in Italian cities, notably in Bologna. arcadeSeries of arches, supported by columns or piers, joined together end to end in a row. When supporting a roof, an arcade may function as a passageway adjacent to a solid wall, a covered walkway that provides access to adjacent shops, or a transitional element surrounding an open internal court. See also colonnade. Arcade acquires knowledge of science, loses faith in God, and conspires to take over Heaven for Satan. [Fr. Lit.: The Revolt of the Angels in Magill I, 821] See : Angel
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Then there were the courtyards--some small, some large, some square, some rectangular, some with arcading, some with iwan recesses. Croce, and Orsanmichele, were collaged into the nave; and the Baptistery, the architectural epicenter of Florentine civic identity, appeared in enlarged form as the Cupola and also was multiplied in the external forms of the three tribunes, which repeat the Baptistery dimensions, its triple-arched arcading, and (as originally projected) its lantern. With no structural purpose, the arcading displays decorative details (on the column shafts and the pointed arches) characteristic of early 15th-century Muscovite churches. |
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