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architecture

   Also found in: Dictionary/thesaurus, Medical, Acronyms, Wikipedia, Hutchinson 0.03 sec.
architecture, the art of building in which human requirements and construction materials are related so as to furnish practical use as well as an aesthetic solution, thus differing from the pure utility of engineering Chemical engineering deals with the design, construction, and operation of plants and machinery for making such products as acids, dyes, drugs, plastics, and synthetic rubber by adapting the chemical reactions discovered by the laboratory chemist to large-scale production.
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 construction. As an art, architecture is essentially abstract and nonrepresentational and involves the manipulation of the relationships of spaces, volumes, planes, masses, and voids. Time is also an important factor in architecture, since a building is usually comprehended in a succession of experiences rather than all at once. In most architecture there is no one vantage point from which the whole structure can be understood. The use of light and shadow, as well as surface decoration, can greatly enhance a structure.

The analysis of building types provides an insight into past cultures and eras. Behind each of the greater styles lies not a casual trend nor a vogue, but a period of serious and urgent experimentation directed toward answering the needs of a specific way of life. Climate, methods of labor, available materials, and economy of means all impose their dictates. Each of the greater styles has been aided by the discovery of new construction methods. Once developed, a method survives tenaciously, giving way only when social changes or new building techniques have reduced it. That evolutionary process is exemplified by the history of modern architecture, which developed from the first uses of structural iron and steel in the mid-19th cent.

Until the 20th cent. there were three great developments in architectural construction—the post-and-lintel, or trabeated, system; the arch arch, the spanning of a wall opening by means of separate units (such as bricks or stone blocks) assembled into an upward curve that maintains its shape and stability through the mutual pressure of a load and the separate pieces.
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 system, either the cohesive type, employing plastic materials hardening into a homogeneous mass, or the thrust type, in which the loads are received and counterbalanced at definite points; and the modern steel-skeleton system. In the 20th cent. new forms of building have been devised, with the use of reinforced concrete and the development of geodesic and stressed-skin (light material, reinforced) structures.

See also articles under countries, e.g., American architecture American architecture, the architecture produced in the geographical area that now constitutes the United States.

Early History



American architecture properly begins in the 17th cent. with the colonization of the North American continent.
..... Click the link for more information. ; styles, e.g., baroque baroque (bərōk`), in art and architecture, a style developed in Europe, England, and the Americas during the 17th and early 18th
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; periods, e.g., Gothic architecture and art Gothic architecture and art, structures (largely cathedrals and churches) and works of art first created in France in the 12th cent. that spread throughout Western Europe through the 15th cent., and in some locations into the 16th cent.
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; individual architects, e.g., Andrea Palladio Palladio, Andrea (ändrĕ`ä päl-lä`dēō), 1508–80, Italian architect of the Renaissance.
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; individual stylistic and structural elements, e.g., tracery tracery, bands or bars of stone, wood, or other material, either subdividing an opening or standing in relief against a wall and forming an ornamental pattern of solid members and open spaces.
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, orientation orientation, in architecture, the disposition of the parts of a building with reference to the points of the compass. From remote antiquity the traditional belief in the efficacy of religious ceremonials performed at dawn toward the rising sun has influenced the
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; specific building types, e.g., pagoda pagoda (pəgō`də), name given in the East to a variety of buildings of tower form that are usually part of a temple or monastery
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, apartment house apartment house, building having three or more dwelling units. Numerous early examples of this form of dwelling have been found in remains of Roman and medieval cities and in the 17th-cent. Pueblo villages of North America.
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.

Architecture of the Ancient World

In Egyptian architecture, to which belong some of the earliest extant structures to be called architecture (erected by the Egyptians before 3000 B.C.), the post-and-lintel system was employed exclusively and produced the earliest stone columnar buildings in history. The architecture of W Asia from the same era employed the same system; however, arched construction was also known and used. The Chaldaeans and Assyrians, dependent upon clay as their chief material, built vaulted roofs of damp mud bricks that adhered to form a solid shell.

After generations of experimentation with buildings of limited variety the Greeks gave to the simple post-and-lintel system the purest, most perfect expression it was to attain (see Parthenon Parthenon (pär`thənŏn) [Gr.,=the virgin's place], temple sacred to Athena, on the acropolis at Athens.
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; orders of architecture orders of architecture. In classical tyles of architecture the various columnar types fall, in general, into the five so-called classical orders, which are named Doric, Ionic, Corinthian, Tuscan, and Composite.
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). Roman architecture, borrowing and combining the columns of Greece and the arches of Asia, produced a wide variety of monumental buildings throughout the Western world. Their momentous invention of concrete concrete, structural masonry material made by mixing broken stone or gravel with sand, cement , and water and allowing the mixture to harden into a solid mass.
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 enabled the imperial builders to exploit successfully the vault vault, ceiling over a room, formed in any one of a variety of curved shapes.

Nature of Vaults



A vault is generally composed of separate units of material, such as bricks, tiles, or blocks of stone, so shaped or cut that when assembled they form a
..... Click the link for more information.  construction of W Asia and to cover vast unbroken floor spaces with great vaults and domes dome, a roof circular or (rarely) elliptical in plan and usually hemispherical in form, placed over a circular, square, oblong, or polygonal space. Domes have been built with a wide variety of outlines and of various materials.
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, as in the rebuilt Pantheon (2d cent. A.D.; see under pantheon Pantheon at Rome was built by Agrippa in 27 B.C., destroyed, and rebuilt in the 2d cent. by Hadrian. Remarkably well preserved, it is mainly of brick with a great hemispherical dome whose supporting walls are set in concrete.
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).

The Evolution of Styles in the Christian Era

The Romans and the early Christians also used the wooden truss for roofing the wide spans of their basilica basilica (bəsĭl`ĭkə), large building erected by the Romans for transacting business and disposing of legal matters.
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 halls. Neither Greek, Chinese, nor Japanese architecture used the vault system of construction. However, in the Asian division of the Roman Empire, vault development continued; Byzantine architects experimented with new principles and developed the pendentive pendentive, in architecture, a constructive device permitting the placing of a circular dome over a square room or an elliptical dome over a rectangular room.
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, used brilliantly in the 6th cent. for the Church of Hagia Sophia Hagia Sophia (hä`jə sōfē`ə, hā`jēə,) [Gr.
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 in Constantinople.

The Romanesque architecture of the early Middle Ages was notable for strong, simple, massive forms and vaults executed in cut stone. In Lombard Romanesque (11th cent.) the Byzantine concentration of vault thrusts was improved by the device of ribs and of piers to support them. The idea of an organic supporting and buttressing skeleton of masonry (see buttress buttress, mass of masonry built against a wall to strengthen it. It is especially necessary when a vault or an arch places a heavy load or thrust on one part of a wall.
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), here appearing in embryo, became the vitalizing aim of the medieval builders. In 13th-century Gothic architecture it emerged in perfected form, as in the Amiens Amiens (ämyăN`), city (1991 pop. 136,234), capital of Somme dept., N France, in Picardy , on the Somme River.
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 and Chartres Chartres (shär`trə), city (1990 pop. 41,850), capital of Eure-et-Loir dept., NW France, in Orléanais, on the Eure River.
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 cathedrals.

The birth of Renaissance architecture (15th cent.) inaugurated a period of several hundred years in Western architecture during which the multiple and complex buildings of the modern world began to emerge, while at the same time no new and compelling structural conceptions appeared. The forms and ornaments of Roman antiquity were resuscitated again and again and were ordered into numberless new combinations, and structure served chiefly as a convenient tool for attaining these effects. The complex, highly decorated baroque style was the chief manifestation of the 17th-century architectural aesthetic. The Georgian style was among architecture's notable 18th-century expressions (see Georgian architecture Georgian architecture. It includes several trends in English architecture that were predominant during the reigns (1714–1830) of George I, George II, George III, and George IV. The first half of the period (c.1710–c.
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). The first half of the 19th cent. was given over to the classic revival classic revival, widely diffused phase of taste (known as neoclassic) which influenced architecture and the arts in Europe and the United States during the last years of the 18th and the first half of the 19th cent.
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 and the Gothic revival Gothic revival, term designating a return to the building styles of the Middle Ages. Although the Gothic revival was practiced throughout Europe, it attained its greatest importance in the United States and England.
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.

New World, New Architectures

The architects of the later 19th cent. found themselves in a world being reshaped by science, industry, and speed. A new eclecticism arose, such as the architecture based on the École des Beaux-Arts École des Beaux-Arts (ākôl` dā bōzär`)[Fr.
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, and what is commonly called Victorian architecture in Britain and the United States. The needs of a new society pressed them, while steel, reinforced concrete, and electricity were among the many new technical means at their disposal.

After more than a half-century of assimilation and experimentation, modern architecture modern architecture, new architectural style that emerged in many Western countries in the decade after World War I. It was based on the "rational" use of modern materials, the principles of functionalist planning, and the rejection of historical precedent and
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, often called the International style International style, in architecture, the phase of the modern movement that emerged in Europe and the United States during the 1920s. The term was first used by Philip Johnson in connection with a 1932 architectural exhibition held at the Museum of Modern Art, New
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, produced an astonishing variety of daring and original buildings, often steel substructures sheathed in glass. The Bauhaus Bauhaus (bou`hous), school of art and architecture in Germany.
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 was a strong influence on modern architecture. As the line between architecture and engineering became a shadow, 20th-century architecture often approached engineering, and modern works of engineering—airplane hangars, for example—often aimed at and achieved an undeniable beauty. More recently, postmodern architecture (see postmodernism postmodernism, term used to designate a multitude of trends—in the arts, philosophy, religion, technology, and many other areas—that come after and deviate from the many 20th-cent. movements that constituted modernism.
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), which exploits and expands the technical innovations of modernism while often incorporating stylistic elements from other architectural styles or periods, has become an international movement.

Bibliography

See T. Hamlin, Architecture through the Ages (rev. ed. 1953); N. Pevsner, An Outline of European Architecture (16th ed. 1960); S. Kostof, A History of Architecture: Settings & Rituals (1985); M. Trachtenberg and I. Hyman, Architecture: From Pre-History to Post-Modernism (1986); H. A. Millon, Key Monuments of the History of Architecture (1964); A. E. Richardson and H. O. Corfiato, The Art of Architecture (3d ed. 1972); S. F. Kimball and G. H. Edgell, A History of Architecture (1946, repr. 1972); J. Fleming et al., The Penguin Dictionary of Architecture (rev. ed. 1973); C. Harris, Dictionary of Architecture and Construction (rev. ed. 1988); K. Frampton, Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture (1996).


architecture

Art and technique of designing and building, as distinguished from the skills associated with construction. The practice of architecture emphasizes spatial relationships, orientation, the support of activities to be carried out within a designed environment, and the arrangement and visual rhythm of structural elements, as opposed to the design of structural systems themselves (see civil engineering). Appropriateness, uniqueness, a sensitive and innovative response to functional requirements, and a sense of place within its surrounding physical and social context distinguish a built environment as representative of a culture's architecture. See also building construction.


See computer architecture, network architecture and software architecture.


(architecture)architecture - Design, the way components fit together. The term is used particularly of processors, both individual and in general. "The ARM has a really clean architecture". It may also be used of any complex system, e.g. "software architecture", "network architecture".

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What does architecture amount to in the experience of the mass of men?
I accompanied Sola and Dejah Thoris in a search for new quarters, which we found in a building nearer the audience chamber and of far more pretentious architecture than our former habitation.
Hence we accept it and we adopt it, like all the rest of the world, to characterize the architecture of the second half of the Middle Ages, where the ogive is the principle which succeeds the architecture of the first period, of which the semi-circle is the father.
 
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