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atonality |
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atonality (ā'tōnăl`ĭtē), in music, systematic avoidance of harmonic or melodic reference to tonal centers (see key key.
1 In music, term used to indicate the scale from which the tonal material of a given composition is derived. To say, for example, that a composition is in the key of C major means that it uses as its basic tonal material the tones of that scale ..... Click the link for more information. ). The term is used to designate a method of composition in which the composer has deliberately rejected the principle of tonality tonality , in music, quality by which all tones of a composition are heard in relation to a central tone called the keynote or tonic. In music that has harmony the terms key and tonality ..... Click the link for more information. . Tonality is a form of musical organization that involves a clear distinction between consonance and dissonance, a definite classification of harmonic results as more and less dissonant, and arrangement of tones in a scale that contains common harmonic and melodic functions and goal points. The gradual rejection of this principle has been apparent since the later 19th cent., when greatly increased use of chromatic harmonies in the music of Liszt Liszt, Franz , 1811–86, Hungarian composer and pianist. Liszt was a revolutionary figure of romantic music and was acknowledged as the greatest pianist of his time. He made his debut at nine, going thereafter to Vienna to study with Czerny and Salieri. ..... Click the link for more information. , Wagner Wagner, Richard, 1813–83, German composer, b. Leipzig. Life and Work Wagner was reared in a theatrical family, had a classical education, and began composing at 17. ..... Click the link for more information. , and Richard Strauss Strauss, Richard , 1864–1949, German composer. Strauss brought to a culmination the development of the 19th-century symphonic poem, and was a leading composer of romantic opera in the early 20th cent. ..... Click the link for more information. and the use of nonfunctional harmonies in the music of Debussy Debussy, Claude Achille , 1862–1918, French composer, exponent of musical impressionism. He studied for 11 years at the Paris Conservatory, receiving its Grand Prix de Rome in 1884 for his cantata L'Enfant Prodigue. ..... Click the link for more information. almost completely obscured whatever basic tonalities were present in their music. The abandonment of tonality in the early 20th cent. by Schoenberg Schoenberg, Arnold , 1874–1951, Austrian composer, b. Vienna. Before he became a U.S. citizen in 1941 he spelled his name Schönberg. He revolutionized modern music by abandoning tonality and developing a twelve-tone, "serial" technique of composition (see BibliographySee R. Reti, Tonality in Modern Music (1962); G. George, Tonality and Musical Structure (1970); G. Perle, Serial Composition and Atonality (3d ed. 1972); A. Forte, The Structure of Atonal Music (1973). atonalityIn music, the absence of functional harmony as a primary structural element. Probably originally a pejorative term applied to music of extreme chromaticism, it has become the most widely used descriptive term for 20th-century music whose connection with tonality is difficult to hear. Arnold Schoenberg and his students Alban Berg and Anton Webern are regarded as the seminal atonal composers; the serialism of their later work is often distinguished from their earlier “free atonality.” Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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