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bestiary
(redirected from bestiaries)

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.04 sec.
bestiary (bĕs`chēĕr'ē), a type of medieval book that was widely popular, particularly from the 12th to 14th cent. The bestiary presumed to describe the animals of the world and to show what human traits they severally exemplify. The bestiaries are the source of a bewildering array of fabulous beasts and of many misconceptions of real ones. They were the artist's guide to animal symbolism in religious building, painting, and sculpture. Physiologus (the naturalist), an ancient work of the type, was probably the chief source of the bestiaries. A Middle English version is translated in J. L. Weston, The Chief Middle English Poets (1914). Variations of the genre remain popular. Modern authors who have written bestiaries include Lewis Carroll, James Thurber, T. H. White, and Jorge Luis Borges.

Bibliography

See W. Clark and M. McMunn, Beasts and Birds of the Middle Ages (1989).


bestiary

Medieval European work in verse or prose, often illustrated, consisting of a collection of stories, each based on a description of certain qualities of the subject, usually an animal or a plant. The stories were allegories, used for moral and religious instruction and admonition. They ultimately were derived from the Greek Physiologus, a text compiled by an unknown author before the mid 2nd century AD. Many traditional attributes of real or mythical creatures derive from bestiaries, such as the phoenix's burning itself to be born again and the parental love of the pelican, which, believed to feed its young by gashing its own breast, became a symbol of Christ.


bestiary
a moralizing medieval collection of descriptions of real and mythical animals


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Her introduction sets bestiaries in context: in the Middle Ages, the written word was believed "implicitly"; God created creatures (including unicorns) "to underline some specific point of moral or religious teaching.
On the other hand, she evidently enjoys handling the enormous amount of material the "medievalistic" tradition offers her: in the case of animals, thus, her sources can be indifferently medieval bestiaries, classical epic poems, Germanic lore, or better still, twentieth-century treatments of all the repertoire the earlier sources offered.
Christian doctrine is one of several resources from which Lewis draws: besides Aslan, the book's characters include Father Christmas, Tumnus the faun, and talking beavers, characters inspired by Lewis's vast reading of classical mythology, Norse epics, medieval bestiaries, fairy tales, more or less all Western literature from Homer through Spenser's Faerie Queen.
 
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