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book collecting

   Also found in: Wikipedia 0.04 sec.
book collecting, or bibliophily, the acquiring of books that are, or are expected to become, rare and that possess permanent interest in addition to their texts. Collecting has traditionally concentrated on first editions in the field of pure literature.

History

Contemporary accounts mention personal manuscript collections in ancient Egypt, Greece, and Rome; because manuscript media—scrolls and papyri—were scarce and expensive (and illiteracy general), collecting was confined to religious leaders and heads of state. During the Middle Ages monastic institutions were the main accumulators of valuable manuscripts.

Book collecting proper began after the invention of movable type (c.1437) and the proliferation of inexpensive books. The aim of early collectors, such as Willibald Pirkheimer (1470–1530) and Jean Grolier de Servières Grolier de Servières, Jean, vicomte d'Aguisy (grōl`yər, Fr.
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, was to assemble personal working libraries. Many early collections became the cornerstones of public libraries. The Bodleian Library Bodleian Library (bŏd`lēən, bŏdlē`ən), at Oxford Univ.
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 at Oxford and the Harleian Library Harleian Library (här`lēən, härlē`–)
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 of the British Museum were founded respectively on the private collections of Sir Thomas Bodley and Robert Harley, 1st earl of Oxford. By the end of the 17th cent., book auctioning was common throughout Europe.

In the 18th cent. collectors shifted their focus from building up libraries to seeking original editions, including incunabula incunabula (ĭn'kynăb`y
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, of earlier works. At first criteria were more visual than literary: early printing, fancy binding, and colorful illumination. Richard Heber (1773–1833), whose collection of first editions of literature and history filled several houses, was one of the first collectors to consider contextual factors primary.

During the 19th cent. first editions of native contemporary literature began to attract book collectors. The two most notable collectors of the second half of the century were Henry Huth (1815–78), an Englishman, and Robert Hoe, the first important American collector. In 1884 Hoe became the first president of the newly founded Grolier Club, a New York-based society dedicated to the appreciation of fine book production. The three greatest American book collectors were Henry Clay Folger Emily Jordan Folger (d. 1936), was his associate in this work. Their collection, quietly acquired, became one of the largest and most valuable of its sort in the world. The

Folger Shakespeare Library, east of the Library of Congress, Washington, D.C.
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, John Pierpont Morgan (see under Morgan Morgan, American family of financiers and philanthropists.

Junius Spencer Morgan, 1813–90, b. West Springfield, Mass., prospered at investment banking.
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 family), and Henry E. Huntington Henry E. Huntington Library and Art Gallery has the largest collection of incunabula in America; it excels also in rare legal documents showing the growth of English and American constitutional law, Americana (especially West Coast material), and manuscript collections of English
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. During the 20th cent. book collecting on the massive scale practiced by Huntington has declined. Institutional libraries now vie with private collectors for rare books dispersed by auction and through antiquarian bookshops.

Approaches and Costs

The three traditional approaches to collecting first editions are the author collection, the subject collection, and the cabinet collection. This last is a collection of deliberately small size (originally a single bookcase) designed to represent the epitome of one bibliophilic category, such as 15th-century French illumination. The most valuable first editions are of literary classics and early or obscure works of famous authors. The desirability of the first edition is based not only on speculative but also on historical considerations; a first edition is one step from a manuscript. Book collectors use points, such as broken type and text excisions, to distinguish between different issues of first editions.

Modern collectors who cannot afford first editions—Poe's Tamerlane (Boston, 1827) generated $165,000 at an auction in 1990—collect in peripheral fields. Such fields include Americana; books illustrated by famous artists; early books on natural history (especially those with colored plates); books printed by such noted private presses as the Kelmscott Press Kelmscott Press, printing establishment in London. There William Morris led the 19th-century revival of the art and craft of making books (see arts and crafts ). The first book made by the press was The Story of the Glittering Plain (1891), by William Morris.
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, the Cuala Press Cuala Press (k
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, and the Nonesuch Press Nonesuch Press, private press founded in London in 1922 by Francis Meynell and David Garnett. Unlike most private presses, Nonesuch designs the books it publishes on its own small press but has production done by selected commercial firms.
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; early books recounting travel and exploration; ancient manuscripts; and letters. Some books in these fields, sold at auction houses such as Christie's and Sotheby's, bring substantial prices. For example, John James Audubon's The Birds of America was sold at Christie's in New York for $4.07 million dollars in 1992, a record price for both an illustrated book and a printed piece of Americana.

Information on the existence, location, and prices of collector's items can be found in author bibliographies, dealer and auction catalogs, and book-collecting periodicals such as The Colophon (1930–50), The Book Collecting World, and the Antiquarian Bookman. American Book Prices Current (published annually since 1895) lists titles and prices of books sold at important auctions in the United States, Britain, and Canada.

Bibliography

See J. T. and D. A. Randall, A Primer of Book Collecting (rev. ed. 1966); J. Carter, Books and Book Collecting (1957), and Taste and Technique in Book Collecting (1948, repr. 1970).


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The cost of new books, a growing interest in book collecting, baby boomer nostalgia, dwindling publisher backlist inventory and the Internet are among many factors that account for the increase in the number of used bookstores, says Siegel.
Later chapters on book collecting and library formation, on allegorical representations of France, and on various myths of French national origins, while fascinating in their own right, are neither as tightly argued nor as relevant to the theme of the book as earlier chapters.
 
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