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(1) Polyphonic songs of the 15th and 16th centuries. The chansons, which were preceded by the ballades, virelays, and rondeaux of Guillaume de Machaut (14th century), were developed by Franco-Flemish composers of the Netherlands school. In the 16th century they took on a strikingly national character and were often imitative and descriptive in nature; at the same time, homophony became more predominant. In this period chansons were written by C. Jannequin, the greatest composer of the French Renaissance, and by such composers as C. Sermisy, P. Moulu, P. Certon, G. Costeley, C. Le Jeune, and C. Goudimel. In the early 17th century the chanson was superseded by the homophonic art song.

(2) Songs of the French music hall of the late 19th and 20th century. The music hall singers—the chansonniers—often themselves compose, or help compose, the music and words of the chansons they perform.


Combarieu, J. Frantsuzskaia muzyka 16 v. Moscow, 1932. (Translated from French.)
Erisman, G. Frantsuzskaia pesnia. Moscow, 1974. (Translated from French.)
Tiersot, J. Istoriia narodnoi pesni vo Frantsii. Moscow, 1975. (Translated from French.)
Expert, H. Les Maitres musiciens de la Renaissance franqaise, vol. 3. Paris, 1900.
Brochón, P. La Chanson franqaise [vols. 1–2.] Paris, 1956–57.
Brown, H. M. Chanson and Madrigal, 1480–1530. Cambridge, Mass., 1964.


References in periodicals archive ?
Following up on the given information led to the discovery that it is in fact the missing partbook to a very important chanson publication produced from the press of Ottaviano Scotto in 1535/36.
Le groupe Nass Al Ghiwane presentera, pour la premiere fois, sa chanson amazighe +Tamaguite+, le 29 juin courant a la Place Al Amal a Agadir dans le cadre du festival Timitar, a affirme Omar Sayyid dans une declaration par telephone a la MAP.
Le Meteque', c'est la premiere fois qu'on parlait du racisme dans une chanson
Ce bouquet resulte d'un choix equilibre entre les temoignages personnels, les terrains d'enquete, la description, l'analyse, l'archivage, le catalogage et l'approche complementaire avec des domaines connexes (histoire, litterature, chanson signee).
The international strength of the chanson waned in the '60s and '70s," Vik says.
Cette biographie non-autorisee du groupe rappelle les moments importants de la carriere de ce quatuor, qui sort de l'anonymat en 1967, a l'ere du psychedelisme, avec une reprise, la chanson << Suzie Q.
The Chanson family bought the estate in the 19th Century and soon became a byword for all that was good in Burgundy.
La Geste francor; edition of the Chansons de geste of MS.
Par Bushra Yacoub SpE[umlaut]cial au Jourdain Un mois aprE s la dE[umlaut]faite de la France Ea la Finale de la Coupe du Monde 2006 face Ea l'Italie, "Coup de boule", une chanson dont les paroles inspirE[umlaut]es par le fameux coup de tE[logical not]te de Zidane au thorax du dE[umlaut]fenseur italien Materazzi, occupe le top des tubes franE*ais de cet E[umlaut]tE[umlaut].
Part 2, "Texts and Contexts," is composed of four chapters in which the author deals with the prehistory of the romance epic in Italy and briefly points out the seminal impact that the Chanson de Roland and the chansons de geste had on Franco-Venetian and Franco-Tuscan cantari.
In the Chants populaires, she is entirely at ease shifting from the "Chanson ecossaise"--a sweet and straightforward rendering of Robert Burns' "Ye banks and braes o' bonnie Doon"--to the rich Yiddishisms of the Chansons hebraiques ("Mejerke, main Suhn").