choreography

(redirected from choreographic)
Also found in: Dictionary, Thesaurus, Wikipedia.
Related to choreographic: choreography

choreography

, choregraphy
1. the composition of dance steps and sequences for ballet and stage dancing
2. the steps and sequences of a ballet or dance
3. the notation representing such steps
4. the art of dancing
www.instchordance.com
www.culturekiosque.com/dance

Choreography

 

(1) A term originally used for the art of notating dances. The first attempts to record dances were made in the late 15th and early 16th centuries, but it was not until the late 17th and early 18th centuries that French choreographers and dance teachers, such as P. Beauchamp, R.-A. Feuillet, and P. Rameau, devised a system of dance notation, which later became widespread. The term “choreography” was introduced by the choreographer Feuillet, author of Chorégraphie ou l’arte de décrire la danse (1700). In Russia, two systems of dance notation were devised in the late 18th century: the system of F. A. Zorn (in Russian, A. Ia. Tsorn; 1889), used mainly by teachers of ballroom dances, and the system of V. I. Stepanov (1891). Stepanov’s system was used to record 27 ballets from the repertoire of the Mariinskii Theater in St. Petersburg.

(2) The art of composing dances and ballets. In this sense, the term has been used since the mid-19th century. Authors of the steps and dances in a ballet are called choreographers.

(3) The art of the dance as a whole. It is one of the oldest forms of art, whose means of expression are movements of the human body to music (seeDANCE).

REFERENCE

Lisitsian, S. Zapis’ dvizheniia (Kinetografiia). Moscow-Leningrad, 1940.
References in periodicals archive ?
During Helen Pickett's Choreographic Essentials workshops, held intermittently in Atlanta and New York City, participants construct a dance in a collaborative environment and have a showing on the sixth day.
In ballet, a choreographic symbol does not signify anything definite, but it arouses a great variety of images for the spectator (Laban 124).
Joseph misses the opportunity to further contextualize Apollo among other Coolidge commissions, including the Aaron Copland-Martha Graham collaboration on Appalachian Spring which dealt with identical orchestral and choreographic constraints imposed by the notoriously cramped auditorium of the Library of Congress.
The "Martha @ Mother" series that runs May 3-5 features Les Ballets Trockadero de Monte Carlo dancing a drag version of The Dying Swan (with Martha finishing off the swan) and a showdown between Martha and real-life choreographic renegade Yvonne Rainer, whom Move calls "the Valerie Solanas of dance" with her anti-Graham manifesto.
The fundamental design principles found in both the Italian horticultural and choreographic arts were applied more widely than just in Italy.
A BROADWAY-BOUND TRIBUTE TO THE CHOREOGRAPHIC GENIUS
Grant's solo moments, to the piano, articulated many of the choreographic motifs for the evening: arms in a circle defining space around the body, or a straight arm slashing upward while a gesturing leg stretched long and low across the body.
In contrast to Bourne's work, dance has to be danced--really danced, imaginatively danced, with genuine choreographic invention.
It was not so much her dancing or choreography that eventually proved so significant--even if its influence on the likes of Michel Fokine, the Russian choreographic trailblazer, is not to be sniffed at--but more the force of her personality and, most of all, simply the impact of her example.
Lerman, a MacArthur Fellow known for her far-reaching community and age blind choreographic work, sought out dozens of scientists to explore the extraordinary possibilities and dilemmas arising from the recent groundbreaking map of the human genome.
The conference had been called to announce the very welcome award of $5 million from the Irene Diamond Fund to the New York Choreographic Institute on the fifth anniversary of the Institute's founding by the late Irene Diamond and its artistic director, Peter Martins.
The ballet's military formations and battles used arbitrary choreographic devices like the soldiers raising the same arm and leg as they marched, or repeating the same step many times on their way to the finale, which resembled a crucifixion with the slave-hero Spartacus held aloft, his arms outstretched.