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closet drama

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closet drama, a play that is meant to be read rather than performed. Precursors of the form existed in classical times. Plato's Apology is often regarded as tragic drama rather than philosophic dialogue. The dialogues of Cicero, Strabo, and Seneca were probably declaimed rather than acted, since only the comic theater survived transplantation from Greece to Rome. Closet dramas were particularly popular in the early 19th cent. when melodrama and burlesque dominated the theater, and poets attempted to raise dramatic standards by reviving past traditions. Byron's Manfred (1817) and Shelley's The Cenci (1819) imitate Shakespeare, and Goethe's Faust (Part I, 1808; Part II, 1832) draws in part on the Elizabethan tradition. Milton's Samson Agonistes (1671) and Shelley's Prometheus Unbound (1819) are based on Greek tragedies. Notable among other closet dramas are Robert Browning's Strafford (1837) and Pippa Passes (1841).


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Hoxby sees in the 1671 closet drama Samson Agonistes Milton's "antagonism toward the discourse of work, building, and production" (228) used to support the regime's imperial-commercial project.
While less radical in its gender politics than Bell in Campo, The Sociable Companions abandons the lengthy orations and expository gentlemen of the earlier closet drama in favor of the plot intrigues and rapid-fire dialogue typical of Restoration comedy.
More importantly, it is the first attempt to offer a coherent account of closet drama as a counter-tradition to the commercial stage.
 
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